Harper's New Monthly Magazine, Volume 1, No. 4, September, 1850Various
History
Harper's New Monthly Magazine, Volume 1, No. 4, September, 1850
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
Edward thanked him civilly for his invitation, spoke of his idea of
being a purchaser as a motive for his visit, and gave his own, and his
father's name. D'Effernay seemed pleased with all he said. He had known
Edward's family in the metropolis; he regretted that the late hour would
render it impossible for them to visit the property to-day, and
concluded by pressing the lieutenant to pass the night at the Castle. On
the morrow they would proceed to business, and now he would have the
pleasure of presenting his wife to the visitor. Edward's heart beat
violently--at length then he would see her! Had he loved her himself he
could not have gone to meet her with more agitation. D'Effernay led his
guest through many rooms, which were all as well furnished, and as
brilliantly lighted, as the first he had entered. At length he opened
the door of a small boudoir, where there was no light, save that which
the faint, gray twilight imparted through the windows.
The simple arrangement of this little room, with dark green walls, only
relieved by some engravings and coats of arms, formed a pleasing
contrast to Edward's eyes, after the glaring splendor of the other
apartments. From behind a piano-forte, at which she had been seated in a
recess, rose a tall, slender female form, in a white dress of extreme
simplicity.
"My love," said D'Effernay, "I bring you a welcome guest, Lieutenant
Wensleben, who is willing to purchase the estate."
Emily courtesied; the friendly twilight concealed the shudder that
passed over her whole frame, as she heard the familiar name which
aroused so many recollections.
She bade the stranger welcome, in a low, sweet voice, whose tremulous
accents were not unobserved by Edward; and while the husband made some
further observation, he had leisure to remark, as well as the fading
light would allow, the fair outline of her oval face, the modest grace
of her movements, her pretty nymph-like figure--in fact, all those
charms which seemed familiar to him through the impassioned descriptions
of his friend.
"But what can this fancy be, to sit in the dark?" asked D'Effernay, in
no mild tone; "you know that is a thing I can not bear:" and with these
words, and without waiting his wife's answer, he rang the bell over her
sofa, and ordered lights.
While these were placed on the table, the company sat down by the fire,
and conversation commenced. By the full light Edward could perceive all
Emily's real beauty--her pale, but lovely face, the sad expression of
her large blue eyes, so often concealed by their dark lashes, and then
raised, with a look full of feeling, a sad, pensive, intellectual
expression; and he admired the simplicity of her dress, and of every
object that surrounded her: all appeared to him to bespeak a superior
mind.
Public-domain text, read in full here on John Shaqi.
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