This is a voice that speaks to us across a gulf of nearly fifty years. A few months ago Wordsworth was taken from us at the ripe age of fourscore, yet here we have him addressing the public, as for the first time, with all the fervor, the unworn freshness, the hopeful confidence of thirty. We are carried back to the period when Coleridge, Byron, Scott, Rogers, and Moore were in their youthful prime. We live again in the stirring days when the poets who divided public attention and interest with the Fabian struggle in Portugal and Spain, with the wild and terrible events of the Russian campaign, with the uprising of the Teutonic nations, and the overthrow of Napoleon, were in a manner but commencing their cycle of songs. This is to renew, to antedate, the youth of a majority of the living generation. But only those whose memory still carries them so far back, can feel within them any reflex of that eager excitement, with which the news of battles fought and won, or mail-coach copies of some new work of Scott, or Byron, or the _Edinburgh Review_, were looked for and received in those already old days. [J] We need not remind the readers of the _Excursion_, that when Wordsworth was enabled, by the generous enthusiasm of Raisley Calvert, to retire with a slender independence to his native mountains, there to devote himself exclusively to his art, his first step was to review and record in verse, the origin and progress of his own powers, as far as he was acquainted with them. This was at once an exercise in versification, and a test of the kind of poetry for which he was by temperament fitted. The result was a determination to compose a philosophical poem, containing views of man, of nature, and of society. This ambitious conception has been doomed to share the fate of so many other colossal undertakings. Of the three parts of his _Recluse_, thus planned, only the second (the _Excursion_, published in 1814) has been completed. Of the other two there exists only the first book of the first, and the plan of the third. The _Recluse_ will remain in fragmentary greatness, a poetical Cathedral of Cologne. Matters standing thus, it has not been without a melancholy sense of the uncertainty of human projects, and of the contrast between the sanguine enterprise and its silent evaporation (so often the "history of an individual mind"), that we have perused this _Prelude_ which no completed strain was destined to follow. Yet in the poem itself there is nothing to inspire depression. It is animated throughout with the hopeful confidence in the poet's own powers, so natural to the time of life at which it was composed; it evinces a power and soar of imagination unsurpassed in any of his writings; and its images and incidents have a freshness and distinctness which they not seldom lost, when they came to be elaborated, as many of them were, in his minor poems of a later date.