The great defect of Wordsworth, in our judgment, was want of sympathy with, and knowledge of men. From his birth till his entry at college, he lived in a region where he met with none whose minds might awaken his sympathies, and where life was altogether uneventful. On the other hand, that region abounded with the inert, striking, and most impressive objects of natural scenery. The elementary grandeur and beauty of external nature came thus to fill up his mind to the exclusion of human interests. To such a result his individual constitution powerfully contributed. The sensuous element was singularly deficient in his nature. He never seems to have passed through that erotic period out of which some poets have never emerged. A soaring, speculative imagination, and an impetuous, resistless self-will, were his distinguishing characteristics. From first to last he concentrated himself within himself; brooding over his own fancies and imaginations to the comparative disregard of the incidents and impressions which suggested them; and was little susceptible of ideas originating in other minds. We behold the result. He lives alone in a world of mountains, streams, and atmospheric phenomena, dealing with moral abstractions, and rarely encountered by even shadowy spectres of beings outwardly resembling himself. There is measureless grandeur and power in his moral speculations. There is intense reality in his pictures of external nature. But though his human characters are presented with great skill of metaphysical analysis, they have rarely life or animation. He is always the prominent, often the exclusive, object of his own song.