Harper's New Monthly Magazine, Volume 1, No. 4, September, 1850Various
History
Harper's New Monthly Magazine, Volume 1, No. 4, September, 1850
Various
American literature -- Periodicals; Civilization -- Periodicals; Culture -- Periodicals
Now all this may appear very strange, but it is not wholly
unaccountable. In the _first_ place, it may be assumed, as we have
already hinted, that no small proportion of those who adopt literature
as a profession have enlisted in the army of authors because they have
lacked the necessary amount of patience and perseverance--the systematic
orderly habits--the industry and the self-denial by which alone it is
possible to attain success in other paths of professional life. With
talent enough to succeed in any, they have not had sufficient method to
succeed in any. They have been trained perhaps for the bar, but wanted
assiduity to master the dry details of the law, and patience to sustain
them throughout a long round of briefless circuits. They have devoted
themselves to the study of physic, and recoiled from or broken down
under examination; or wanted the hopeful sanguine temperament which
enables a man to content himself with small beginnings, and to make his
way by a gradually widening circle to a large round of remunerative
practice. They have been intended for the Church, and drawn back in
dismay at the thought of its restraints and responsibilities; or have
entered the army, and have forsaken with impatience and disgust the slow
road to superior command.
In any case, it may be assumed that the original profession has been
deserted for that of authorship, mainly because the aspirant has been
wanting in those orderly methodical habits, and that patience and
submissiveness of temperament which secure success in those departments
of professional labor which are only to be overcome by progressive
degrees. In a word, it may be often said of the man of letters, that he
is not wanting in order because he is an author, but he is an author
because he is wanting in order. He is capable of occasional paroxysms of
industry; his spasms of energy are often great and triumphant. Where
results are to be obtained _per saltum_ he is equal to any thing and is
not easily to be frightened back. He has courage enough to carry a
fortress by assault, but he has not system enough to make his way by
regular approaches. He is weary of the work before he has traced out the
first parallel. In this very history of the rise of professional
authorship, we may often see the causes of its fall. The calamities of
authors are often assignable to the very circumstances that made them
authors. Wherefore is it that in many cases authors are disorderly and
improvident? simply because it is their nature to be so--because in any
other path of life they would be equally disorderly and improvident. The
want of system is not to be attributed to their profession. The evil
which we deplore arises in the first instance only from an inability to
master an inherent defect.
Public-domain text, read in full here on John Shaqi.
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