Harriet Beecher Stowe: a biography for girlsCrow, Martha Foote
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Harriet Beecher Stowe: a biography for girls
Crow, Martha Foote
Stowe, Harriet Beecher, 1811-1896 -- Juvenile literature
Soon after this, as she was sitting among the worshipers at the Sabbath
morning communion service, a vision passed before her mind, showing
in minutest detail one whole scene of “Uncle Tom’s Cabin.” Even as
Colonel Higginson, in the passage quoted a few pages back, saw in
his imagination the inevitable life of that little girl in the slave
market, so she realized with the vividness of a dream, the central
climax of her book. It was the death scene of the wonderful old negro,
_Uncle Tom_, who in the midst of his lowly state is always made to
preserve a certain dignity and even charm. She has pictured him as a
man for whose character only the highest reverence can be felt. His
spirit was of a meekness so Christ-like that no outrage, no suffering,
could ruffle its calm, nor could the steadfastness of his faith be
shaken. Yet the effect is not of softness, but rather of a stern and
commanding strength. After a life that illustrated nearly all of the
ups and downs of slavery, a final misfortune came to him in the fact
that he chanced to know about the plans for escape that some of his
fellow-slaves had made. To compel him to yield up these secrets he was
at the command of his master brutally whipped all one night long, and
he died the next day as the result of this punishment. Yet toward this
merciless master he cherished no ill feeling. Like his Lord and Master,
he returned blessing for cursing; he was anxious only for the salvation
of his enemies. “‘He ain’t done me no real harm--only opened the gate
of the kingdom for me; that’s all!’ he said.” His last words were,
“‘Who--who--who shall separate us from the love of Christ?’” And with a
smile he fell asleep.
The description of this scene Mrs. Stowe wrote down at white heat,
and when the first draft was made she called her children and had
them stand about her while she read it to them. As she read the tears
streamed down their faces, and one of them, a boy ten years old,
clinched his fists and cried, “Oh, mamma, slavery is the most cruel
thing in the world!” After a while their father came in and he read and
cried, too. He said to her, “You must do something with this,” and she
answered quietly, “I mean to.” From then on, as she had opportunity,
amid extraordinary household duties, the care of six children and a
new baby, with various guests, with unskilled help, and with myriad
distractions, she wrote on until the great book was finished. Her mind
was so full of the subject and her vision of the incidents for the
story was so clear that the words came rushing to her brain faster than
she could write them down. She had the feeling that the story was in
possession of her and not she in possession of the story; or rather as
if some divine power were urging her on and giving her the words to set
down. This strange experience was remembered by her as a time when the
Lord Himself used her as an instrument of His purpose.
CHAPTER XVI
“UNCLE TOM’S CABIN” AND ITS INFLUENCE
Public-domain text, read in full here on John Shaqi.
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