Harriet Beecher Stowe: a biography for girlsCrow, Martha Foote
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Harriet Beecher Stowe: a biography for girls
Crow, Martha Foote
Stowe, Harriet Beecher, 1811-1896 -- Juvenile literature
In such ways as these Mrs. Stowe was becoming acquainted with the very
heart of the English and Scottish people. But it was not only the
great and titled that came forward to represent the leading thought
in greeting this woman who stood to them for so much. In the villages
through which they drove and along the roadsides, the so-called common
people were ready with their greetings also. In the doorways everywhere
people stood bowing and smiling, and sometimes running out to offer
flowers; and little boys ran after her carriage crying out that they
knew her by the curls! She wrote: “The butcher came out of his stall
and the baker from his shop, the miller dusty with flour, the blooming,
comely young mother with her baby in her arms, all smiling and bowing
with that hearty intelligent friendly look as if they knew we should
be glad to see them.” Then there were in various cities meetings
especially for the working men; and as her train went along, even at
night, friendly faces were waiting at the stations, good souls watching
through the dark to catch one glimpse of the writer or perhaps to grasp
her hand; then as the train moved away, saying, “Good night!” with
the unmistakable Scotch accent, making her think that she had felt
a throb of the living Scotch heart. Mrs. Stowe felt the spirit that
prompted this reverential tribute, a spirit that makes one blood of
all the families of earth. She, in fact, considered herself altogether
inadequate and disproportionate as an object to call forth such
outbursts of applause; she was most modest in her reception of them,
and believed them to be, as she afterward said to a friend, but the
expression of a great spirit of universal brotherhood, surging forward
in a huge sympathetic wave. Beneath the weight of these honors the New
England simplicity of her character remained unimpaired.
Public-domain text, read in full here on John Shaqi.
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