Harrington: A Story of True LoveO'Connor, William Douglas
General
Harrington: A Story of True Love
O'Connor, William Douglas
Slavery -- United States -- Fiction
She went to the book-shelves, and returned with the volume—Roland’s
“Theory and Practice of Fencing.”
“Here it is,” she observed, finding the page. “Listen: ‘Perhaps there is
no exercise whatever more calculated for these purposes (developing and
cultivating bodily strength and activity) than fencing. Riding, walking,
sparring, wrestling, running, and pitching the bar are all of them
certainly highly beneficial, but beyond all question there is no single
exercise which combines so many advantages as fencing. By it the muscles
of every part of the body are brought into play; it expands the chest
and occasions an equal distribution of the blood and other circulating
fluids through the whole system. More than one case has fallen under
the author’s own observation, in which affections of the lungs, and a
tendency to consumption have been entirely removed by occasional practice
with the foil; and he can state, upon the highest medical authority, that
since the institution of the School of Arms at Geneva, scrofula, which
was long lamentably prevalent there, had been gradually disappearing.’”
Just then a tap was heard at the door. Muriel dropped the book, and made
one nimble spring through the entrance into her chamber, while Harrington
went to the door. It was Patrick come to say that Mr. Witherlee was
down-stairs.
“Tell him we’re engaged, Patrick, and ask him to excuse us,” rang the
silver voice of Muriel through the half open entrance of her room.
Patrick departed, and as the door closed, Muriel emerged, laughing, from
her hiding-place.
“That was a stroke of policy,” she said. “If Fernando were to see me in
this costume, it would be town talk to-morrow, and in the papers the day
after. Fernando’s mind is a perfect colander—all that gets into it runs
out of it.”
She was more than ever like a fairy prince the next instant as she stood
with the light bright foil in her gloved hand, and her face covered
by the gilt mask, over which waved a thick crimson plume. Harrington,
similarly arrayed, save for the plume, with the golden wires envisoring
his features, advanced toward her.
“You have not forgotten your plastron, have you?” he said.
“No: it’s under the dress,” she replied.
Firm and true as he, she struck guard, and the foils crossed with a clash.
“By George! this is delicious,” exclaimed Wentworth, in perfect rapture.
And so it was, for Muriel was like some unimagined fairy chevalier as she
stood in the beautiful attitude of the exercise, the rich crimson lights
of her dress glowing, and its golden ornaments tremulously flashing in
the sun-ray, and the sumptuous radiance resting on the proud and elegant
flowing curves of her figure. Lithe, superb and strong, an image of
health and grace, a form of lyric beauty, she might have stood in her
armed posture for the spirit of the foil.
Public-domain text, read in full here on John Shaqi.
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