Harrington: A Story of True LoveO'Connor, William Douglas
General
Harrington: A Story of True Love
O'Connor, William Douglas
Slavery -- United States -- Fiction
Emily smiled with superb languor, and half-reluctant, for she was not in
a songful mood, swept over to the piano, looking steadily as she advanced
at Wentworth, who was leaning carelessly against the instrument, and
regarding her with stern eyes.
“I believe,” said she, listlessly, as she sunk upon the music-stool, and
with a parting glance of cold hauteur dropped her eyes from the steady
gaze of Wentworth, “I believe that the piano is out of tune.”
“Do you know why, Miss Ames?” asked Wentworth suddenly, in a voice at
once so quiet and so marked that both Muriel and Harrington looked at him.
“Because,” he said with bitter and terrible significance, a scowl
darkening his features—“because it has been played upon!”
Muriel and Harrington started with a low exclamation, and glanced first
at Wentworth, and then at Emily, with mute amazement. A smile arose on
Wentworth’s face, and mingled with his scowl, as he slowly walked away.
Emily rose from her seat, and gazed after him, her form dilated to its
full height, her bosom heaving, and her face and neck suffused with an
indignant scarlet glow. Turning, Wentworth looked haughtily at her for
a moment, and then, utterly reckless, with heart and brain on fire,
laughed a bitter and scornful laugh, and moved toward the parlor door.
Emily’s lip quivered, her color faded to pallor, and bursting into a
passionate flood of tears, she covered her face with her hands, and swept
by the other door from the room.
Muriel and Harrington had stood transfixed with astonishment up to this
moment, but as they saw both Emily and Wentworth leave the parlor, they
recovered with a start.
“Stay, Wentworth,” cried Harrington, rushing to the door, and “Emily,
Emily,” cried Muriel, flying after her friend.
But Harrington reached the hall, just as the front door slammed at the
heels of Wentworth, and tearing it open, he beheld him running up the
street like a madman, while Muriel, bounding up-stairs after Emily, saw
her vanish into her chamber, and heard the lock of her door click behind
her.
Both returned to the parlor at the same moment, and advancing toward
each other, pale, agitated, and almost petrified with wonder at the
lightning-like suddenness and inexplicable character of this incident,
gazed into each other’s faces. The affair was like a flash on a dark
landscape, giving a vague glimpse of some mysterious form there, and
vanishing before its nature was revealed.
“Good Heavens, John! what does this mean?” exclaimed Muriel, breaking the
lonely stillness of the lighted parlor.
“I do not know,” he murmured, vacantly gazing at her. “Is Richard mad?”
She put her hands to her bosom to repress its throbbings, and sank into a
large chair near her. Both were silent for some minutes, each trying to
think, with a whirling brain, what this could possibly mean.
“What a singular day this has been!” murmured Harrington at length, as
behind this last incident the tableau of its many-passioned hours rose in
his mind.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account