Harrington: A Story of True LoveO'Connor, William Douglas
General
Harrington: A Story of True Love
O'Connor, William Douglas
Slavery -- United States -- Fiction
And Muriel, ineffably delighted at her own sagacity, her nimble mind
having glanced from point to point to this conclusion, threw back her
charming head, and gave way to a rivulet of low, delicious laughter.
“Shame on me to laugh about it,” she resumed, looking very grave. “It has
cost too much suffering to laugh about. And yet,” she ran on, rippling
again into golden laughter, “I can’t help it. I’m so happy! And it
is such a pleasure to have found the track of the fox that stole the
grapes! Well, Fernando! you’re a nice young man! And oh, Cupid, Cupid,
you weren’t painted with the bandaged eyes for nothing, you rogue! But,
bless me, here am I chattering to myself, and Emily to be covered, dinner
nearly ready, and I not dressed.”
She broke off to hasten to a bureau, from a lower drawer of which she
took a grey silk coverlet to lay over Emily, and went swiftly from the
room.
Emily was sleeping deeply, with a faint color in her pallid and lovely
face. Bending over her, Muriel covered her with the quilt, and kissing
her forehead softly as a spirit, darkened the room, and left her. Then
going down to her mother, and warning her not to disturb the sleeper, she
hurried up to her chamber, and finished dressing herself just as Bridget,
a comely little Irish girl who waited at table when they dined alone,
came up to summon her to dinner.
Charmingly attired in a robe of black silk, with an open corsage of snowy
lace, and looking more radiantly fair than ever, Muriel came down to
dinner, and during the meal entertained her mother with a circumstantial
account of her noon adventure. The story, of course, made a sensation, as
the popular phrase goes; but as far as Muriel was concerned, Mrs. Eastman
listened without shuddering or chiding. She had such perfect confidence
in her daughter’s ability to take care of herself, and such a conviction
that everything she did befitted her—for, like Shakspeare’s Cleopatra,
Muriel shed the artistic grace of her nature on all her actions, and
compelled them to become her ornaments—that she heard the part she
had played in the wild scene not only without discomposure, but with
considerable pride and admiration, thinking at the same time how proud
Mr. Eastman would have been of the way his child had borne herself. As he
would, for his wishes for Muriel were well expressed in the noble lines
of Ben Jonson, of which he was very fond:
“I meant the day-star should not brighter ride,
Nor shed like influence from his lucent seat:
I meant she should be courteous, facile, sweet,
Free from that solemn vice of greatness, pride!
I meant each softest virtue there should meet,
Fit in that softer bosom to abide:
Only a learned and a manly soul
I purposed her, that should with even powers
The rock, the spindle, and the shears control
Of Destiny; and spin her own free hours.”
Public-domain text, read in full here on John Shaqi.
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