Harrington: A Story of True LoveO'Connor, William Douglas
General
Harrington: A Story of True Love
O'Connor, William Douglas
Slavery -- United States -- Fiction
“Beautiful,” he assented, pressing the hand to his lips. “I pray for
your life-long happiness, dear Emily. Yours and Richard’s. And may I be
present at your wedding?”
“Indeed you must,” she answered. “It would be but half a wedding if you
were not there.”
“My sentiments,” cried Wentworth. “Without you, John, our wedding would
be a fiasco. But it is to be a grand affair. In open church, crowds of
guests, Emily in full bridal array, with a small army of bridesmaids,
and I in gorgeous toggery, with a retinue of grooms which will astonish
your Spartan simplicity. Oh, I tell you, we shall blow out in splendid
hymeneal flower, amidst overpowering magnificence!”
“Hear the absurd fellow!” exclaimed Emily, smiling at Harrington, who
stood listening half-amusedly, half-pensively, as the gay Richard ran
on. “Only listen to him. But it is true, John—we are to have a splendid
wedding.”
“I am glad to hear it,” he replied. “You are both splendid, and it
is natural and proper for you to put forth splendid rays on such an
occasion.”
“Nevertheless, I’ll bet you won’t find Harrington and Muriel flashing out
like us, Emily,” cried Wentworth, showing his fine teeth in a brilliant
laugh. “I wouldn’t be afraid to wager that you’ll see that young man
married in his ordinary clothes, without a rag of a white kid glove, or
an ornament of any kind whatever, or wedding cake, or cards, or guests,
or anything.”
“Why, Richard, I don’t know,” said Harrington, smiling good-naturedly.
“If Muriel were to wish the usual parade I would agree of course. But
you are right—my choice would be as little external show as possible.
Such simple rites would be more grateful to me than any pomp or display.
Marriage to me is so private and spiritual a sacrament that it seems a
sort of profanation to make it public—or surround it with factitious
embellishments. These flowers for example, this sweet, rich room, Muriel
lovely, and clothed as befits her loveliness, I in this plain coat, not
very new, but well-fitting and graceful, Mrs. Eastman and you two loving
friends here—what more could I desire to decorate my wedding? And less
than this—yes, nothing of this—Muriel and I alone in some quiet room, or
under the blue sky, or the forest trees, pledging ourselves to each other
in spirit and in truth—this of itself would be enough, and would make the
most imperial bridals seem gaudy and theatrical.”
“Then you object to our fine fashionable wedding, John,” said Emily,
playfully.
“Oh no—not object,” returned Harrington, coloring, with an embarrassed
air. “Have I said too much? Have I cast any personal reflections? I hope
not, for I did not mean to. I only meant to say that the ideal nobleness
and beauty of marriage are not very well expressed by the usual modish
and artificial ceremonials and decorations. The thing itself is holy and
poetic. Let the rites and adornments be holy and poetic too. That is all.”
Public-domain text, read in full here on John Shaqi.
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