Harrington: A Story of True LoveO'Connor, William Douglas
General
Harrington: A Story of True Love
O'Connor, William Douglas
Slavery -- United States -- Fiction
“Well, I wouldn’t go so far as that,” returned Fernando, with mild
moderation. “By no means. Harrington has fine qualities, you know. You
should remember that the best of us are apt to be a little forgetful when
our own personal interests, or wishes, or affections are involved.”
Blandly and kindly said, with just a shade of hesitating emphasis on
“personal” and “affections”—just a shade.
“What do you mean by that, Fernando?” asked Wentworth, almost choking,
and catching at the insidious hint, which the good Fernando had made
almost impalpable by throwing it out with the easy manner of one uttering
a mere generality.
“Mean?” he asked, with a delicate shade of bewilderment, “why nothing
particular, that I know of.”
But he smiled slightly and lifted his handsome eyebrows very slightly,
and then lapsed into an expression of soft compassion.
“Yes, I understand,” said Wentworth, walking away in passionate misery.
What particular meaning the good Fernando’s vague words and mysterious
looks expressed, nobody could have told. It was their especial beauty,
perhaps, that they really expressed nothing definite at all, and were
merely random spurs to the imagination of the listener, goading him on
the path he happened to be pursuing. Wentworth’s path at that moment was
the vague suspicion that Harrington was selfishly supplanting him in
his relation to Emily. It was a path out of which he had turned several
times, urged by his strong sense of Harrington’s perfect nobility, but
he was now in it again, and with the talented Fernando’s last bunch of
thorns insidiously tied to his galloping fancy, and stinging it on, he
was going at a headlong pace for mad jealousy and outright hostility, and
would soon be there.
Witherlee, meanwhile, highly gratified at the success of his insinuations
with Wentworth, was enjoying the young artist’s distress when he caught
sight of Harrington standing at the upper end of the room, and looking
at him. It was embarrassing, and he was about to avert his eyes, but at
that instant Harrington beckoned to him. He hesitated, and then with
considerable trepidation, for he did not know what was coming, he walked
up the room.
Harrington’s face was introverted and sad, and his eyes were fixed on
vacancy. Witherlee felt glad that the broad gaze did not rest on his
face, for he feared its inquest.
“Fernando,” said Harrington, calmly and kindly, though with evident
embarrassment, “I want to speak with you on a very delicate subject. You
have known Miss Eastman and Miss Ames a long time—much longer than I
have. You”—
Harrington paused for a moment. Witherlee’s heart beat an alarmed tattoo,
though his colorless face was perfectly impassible.
“Richard is in a strange state lately,” resumed Harrington, smiling
vaguely. “You must have noticed it, Fernando. Just now, he spoke to me
in a manner which I do not understand. Something frets him. Have you any
idea what it is?”
Public-domain text, read in full here on John Shaqi.
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