Harry Coverdale's Courtship, and All That Came of ItSmedley, Frank E. (Frank Edward)
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Harry Coverdale's Courtship, and All That Came of It
Smedley, Frank E. (Frank Edward)
England -- Social life and customs -- 19th century -- Fiction; English fiction -- 19th century
On receiving this confirmation of her worst, nay, more than her worst,
fears, Alice’s first impulse was to give way to a flood of tears--an
impulse so strong that, unable entirely to check it, the sob which Lord
Alfred had partially overheard was the result. The story chimed in with
her jealous suspicions so exactly, that it never for a moment occurred
to her to question the truth of it; on the contrary, it would have
required the clearest evidence of its falsehood to make her disbelieve
it. Having by a great effort repressed her tears, her next impulse was
to prevent any one, especially Lord Alfred, from perceiving how deeply
his intelligence had affected her. Accordingly she turned to him, and
replied in as careless a tone as she could summon--
“A very pretty bit of scandal, truly; and, as you say, worth as much, or
as little rather, as scandal usually is; however, the tale has served to
amuse me and put me in a good humour; so, as you seem to have set your
heart upon another dance, I suppose I must exercise my woman’s privilege
in your favour, and change my mind. They are going to waltz--shall we
begin?”
Surprised and delighted at the success of his experiment, and almost
inclined to attribute supernatural wisdom to Horace D’Almayne, Lord
Alfred hastily offered his arm to his enslaver, and in another minute
they were whirling round the room in all the giddy excitement of a rapid
waltz. While the dance was still proceeding, a tall, striking-looking
man entered the room, and shading his eyes from the unaccustomed
brilliancy of the lights, carefully scrutinised the dancers, until his
glance fell upon the figures of Alice and Lord Alfred, when a shade came
over his handsome features, and leaning his shoulder against the side of
a doorway, he remained with his eyes tracking the evolutions of two of
the figures glancing before him. After he had remained motionless for
some minutes, absorbed in his own thoughts, which were, apparently, of
no over-pleasant nature, a gentle touch on the arm aroused him, and,
looking round, he perceived Arabella Crofton. She was about to address
him, but by a warning gesture he silenced her, and she remained standing
silently beside him until, in a low, stem voice, he asked abruptly--
“How often has she been dancing with him?”
“Three times, I believe; but I assure you--”
“Hush!” continued Coverdale in the same stem, impressive voice, which
was just above a whisper; “I want facts, not comments. Has she danced
with any one else since he has been here?”
“Not that I am aware of,” was the reply. “She danced with a young
guardsman before he came.”
“And since?”
“They have been either dancing or talking together, except for about ten
minutes, during the last two hours.”
Coverdale made no reply, but his lips became more sternly compressed,
and the shade on his brow grew deeper, until the dance concluded, then
muttering--
Public-domain text, read in full here on John Shaqi.
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