Harry Coverdale's Courtship, and All That Came of ItSmedley, Frank E. (Frank Edward)
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Harry Coverdale's Courtship, and All That Came of It
Smedley, Frank E. (Frank Edward)
England -- Social life and customs -- 19th century -- Fiction; English fiction -- 19th century
“An all-sufficient one in your autocratic eyes, I dare say,” was the
flippant rejoinder; “but the barrel-organs remind us too constantly
that ‘Britons never shall be slaves,’ for me to think of sacrificing my
freedom to all your imperious fancies. Come, my lord, they are going to
wind up with Sir Roger de Coverley; let us take our places.” So saying,
Alice accepted the proffered arm of her _cavalier servente_, and walked
off with him, leaving her husband to struggle against his rising anger
(which in her then frame of mind she saw and disregarded) as best he
might. A severe struggle it was, and one in which nothing but his deep
love for her, and fear of compromising her by word or deed, could have
rendered him successful. By a powerful exercise of self-control, he
contrived to avoid any outward manifestation of his feelings; and after
watching Alice and her partner for some minutes, with flashing eyes and
an aching heart, as they hurried through the boisterous evolutions
of that romping dance, he wandered listlessly through the rooms, now
partially deserted, seeking some spot where he might be alone with
his troubled thoughts, and avoid the necessity of replying to the
commonplaces of society, to which, at that moment, he felt himself
completely unfitted. Having passed through the music-room, he found
himself in an elegantly-furnished boudoir, which at first sight he
believed to be untenanted, and, flinging himself into an easy-chair,
leaned his head on his hands, and gave way to painful reflections. After
remaining in this attitude for several minutes, a sound resembling a
sigh caught his ear, and, hastily looking up, he perceived Arabella
Crofton.
“Were you here when I entered?” he inquired.
“Yes; I was standing in the recess of the window, and the curtain
concealed me. I should have spoken to you, but as I perceived you were
preoccupied, I was afraid to disturb you, and did not intend to move
until you had left the boudoir, but your ears are so quick that you
detected me. I wish,” she continued, in a timid, faltering voice, “your
brow did not wear so deep a shade, or that I were in any degree able to
remove it.” As she spoke; she drew nearer to him, and leaned her arm on
the back of the chair on which he was sitting.
Public-domain text, read in full here on John Shaqi.
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