The second method on which the life of a man may be written is the selective. Instead of telling everything, we may choose what we will tell. We may select out of the numberless events, from among the innumerable actions of his life, those events and those actions which exemplify his true character, which prove to us what were the true limits of his talents, what was the degree of his deficiencies, which were his defects, which his vices; in a word, we may select the traits and the particulars which seem to give us the best idea of the man as he lived and as he was. On this side the Flood, as Sydney Smith would have said, we should have fancied that this was the only practicable principle on which biographies can be written about persons of whom many details are recorded. For ancient heroes the exhaustive method is possible: all that can be known of them is contained in a few short passages of Greek and Latin, and it is quite possible to say whatever can be said about every one of these; the result would not be unreasonably bulky, though it might be dull. But in the case of men who have lived in the thick of the crowded modern world, no such course is admissible; overmuch _may_ be said, and we must choose what we will say. Biographers, however, are rarely bold enough to adopt the selective method consistently. They have, we suspect, the fear of the critics before their eyes. They do not like that it should be said that "the work of the learned gentleman contains serious omissions: the events of 1562 are not mentioned; those of October, 1579, are narrated but very cursorily"; and we fear that in any case such remarks will be made. Very learned people are pleased to show that they know what is _not_ in the book; sometimes they may hint that perhaps the author did not know it, or surely he would have mentioned it. But a biographer who wishes to write what most people of cultivation will be pleased to read must be courageous enough to face the pain of such censures. He must choose, as we have explained, the characteristic parts of his subject: and all that he has to take care of besides is, so to narrate them that their characteristic elements shall be shown; to give such an account of the general career as may make it clear what these chosen events really were,--to show their respective bearings to one another; to delineate what is expressive in such a manner as to make it expressive. This plan of biography is, however, by no means that of Mr. Masson: he has no dread of overgrown bulk and overwhelming copiousness. He finds indeed what we have called the "exhaustive method" insufficient: he not only wishes to narrate in full the life of Milton, but to add those of his contemporaries likewise; he seems to wish to tell us not only what Milton did, but also what every one else did in Great Britain during his lifetime. He intends his book to be not