Harvard Classics Volume 28: Essays English and American
General
Harvard Classics Volume 28: Essays English and American
American essays; English essays
We are far from accusing Milton of personal vanity: his character was
too enormous, if we may be allowed so to say, for a fault so petty.
But a little tinge of excessive self-respect will cling to those who
can admire themselves. Ugly men are and ought to be ashamed of their
existence; Milton was not so.
The peculiarities of the austere type of character stand out in Milton
more remarkably than in other men who partake of it, because of the
extreme strength of his nature. In reading him this is the first thing
that strikes us. We seem to have left the little world of ordinary
writers. The words of some authors are said to have "hands and feet";
they seem, that is, to have a vigor and animation which only belong to
things which live and move. Milton's words have not this animal
life,--there is no rude energy about them; but on the other hand, they
have or seem to have a soul, a spirit which other words have not. He
was early aware that what he wrote, "by certain vital signs it had,"
was such as the world would not "willingly let die." [9] After two
centuries we feel the same. There is a solemn and firm music in the
lines; a brooding sublimity haunts them; the spirit of the great writer
moves over the face of the page. In life there seems to have been the
same peculiar strength that his works suggest to us. His moral
tenacity is amazing: he took his own course, and he kept his own
course; and we may trace in his defects the same characteristics.
"Energy and ill temper," some say, "are the same thing;" and though
this is a strong exaggeration, yet there is a basis of truth in it.
People who labor much will be cross if they do not obtain that for
which they labor; those who desire vehemently will be vexed if they do
not obtain that which they desire. As is the strength of the impelling
tendency, so, other things being equal, is the pain which it will
experience if it be baffled. Those, too, who are set on what is high
will be proportionately offended by the intrusion of what is low.
Accordingly, Milton is described by those who knew him as "a harsh and
choleric man." "He had," we are told, "a gravity in his temper, not
melancholy, or not till the latter part of his life, not sour, not
morose or ill-natured, but a certain severity of mind; a mind not
condescending to little things;" [10] and this although his daughter
remembered that he was delightful company, the life of conversation,
and that he was so "on account of a flow of subject, and an unaffected
cheerfulness and civility." Doubtless this may have been so when he
was at ease, and at home; but there are unmistakable traces of the
harsher tendency in almost all his works.
Public-domain text, read in full here on John Shaqi.
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