Harvard Classics Volume 28: Essays English and American
General
Harvard Classics Volume 28: Essays English and American
American essays; English essays
Mrs. Pepys had written a paper of her too just complaints against her
husband, and written it in plain and very pungent English. Pepys, in an
agony lest the world should come to see it, brutally seizes and destroys
the tell-tale document; and then--you disbelieve your eyes--down goes the
whole story with unsparing truth and in the cruellest detail. It seems
he has no design but to appear respectable, and here he keeps a private
book to prove he was not. You are at first faintly reminded of some of
the vagaries of the morbid religious diarist; but at a moment's thought
the resemblance disappears. The design of Pepys is not at all to edify;
it is not from repentance that he chronicles his peccadilloes, for he
tells us when he does repent, and, to be just to him, there often follows
some improvement. Again, the sins of the religious diarist are of a very
formal pattern, and are told with an elaborate whine. But in Pepys you
come upon good, substantive misdemeanors; beams in his eye of which he
alone remains unconscious; healthy outbreaks of the animal nature, and
laughable subterfuges to himself that always command belief and often
engage the sympathies.
Pepys was a young man for his age, came slowly to himself in the world,
sowed his wild oats late, took late to industry, and preserved till
nearly forty the headlong gusto of a boy. So, to come rightly at the
spirit in which the Diary was written, we must recall a class of
sentiments which with most of us are over and done before the age of
twelve. In our tender years we still preserve a freshness of surprise at
our prolonged existence; events make an impression out of all proportion
to their consequence; we are unspeakably touched by our own past
adventures, and look forward to our future personality with sentimental
interest. It was something of this, I think, that clung to Pepys.
Although not sentimental in the abstract, he was sweetly sentimental
about himself. His own past clung about his heart, an evergreen. He was
the slave of an association. He could not pass by Islington, where his
father used to carry him to cakes and ale, but he must light at the
"King's Head" and eat and drink "for remembrance of the old house sake."
He counted it good fortune to lie a night at Epsom to renew his old
walks, "where Mrs. Hely and I did use to walk and talk, with whom I had
the first sentiments of love and pleasure in a woman's company, discourse
and taking her by the hand, she being a pretty woman." He goes about
weighing up the _Assurance_, which lay near Woolwich under water, and
cries in a parenthesis, "Poor ship, that I have been twice merry in, in
Captain Holland's time;" and after revisiting the _Naseby_, now changed
into the _Charles_, he confesses "it was a great pleasure to myself to
see the ship that I began my good fortune in." The stone that he was cut
for he preserved in a case; and to the Turners he kept alive such
Public-domain text, read in full here on John Shaqi.
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