Harvard Classics Volume 28: Essays English and American
General
Harvard Classics Volume 28: Essays English and American
American essays; English essays
The age of Dryden, together with our whole eighteenth century which
followed it, sincerely believed itself to have produced poetical
classics of its own, and even to have made advance, in poetry, beyond
all its predecessors. Dryden regards as not seriously disputable the
opinion 'that the sweetness of English verse was never understood or
practised by our fathers.' Cowley could see nothing at all in
Chaucer's poetry. Dryden heartily admired it, and, as we have seen,
praised its matter admirably; but of its exquisite manner and movement
all he can find to say is that 'there is the rude sweetness of a Scotch
tune in it, which is natural and pleasing, though not perfect.'
Addison, wishing to praise Chaucer's numbers, compares them with
Dryden's own. And all through the eighteenth century, and down even
into our own times, the stereotyped phrase of approbation for good
verse found in our early poetry has been, that it even approached the
verse of Dryden, Addison, Pope, and Johnson. Are Dryden and Pope
poetical classics? Is the historic estimate, which represents them as
such, and which has been so long established that it cannot easily give
way, the real estimate? Wordsworth and Coleridge, as is well known,
denied it; but the authority of Wordsworth and Coleridge does not weigh
much with the young generation, and there are many signs to show that
the eighteenth century and its judgments are coming into favour again.
Are the favourite poets of the eighteenth-century classics?
It is impossible within my present limits to discuss the question
fully. And what man of letters would not shrink from seeming to
dispose dictatorially of the claims of two men who are, at any rate,
such masters in letters as Dryden and Pope; two men of such admirable
talent, both of them, and one of them, Dryden, a man, on all sides, of
such energetic and genial power? And yet, if we are to gain the full
benefit from poetry, we must have the real estimate of it. I cast
about for some mode of arriving, in the present case, at such an
estimate without offence. And perhaps the best way is to begin, as it
is easy to begin, with cordial praise.
Public-domain text, read in full here on John Shaqi.
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