Harvard Classics Volume 28: Essays English and American
General
Harvard Classics Volume 28: Essays English and American
American essays; English essays
19. Now, in order to deal with words rightly, this is the habit you
must form. Nearly every word in your language has been first a word of
some other language--of Saxon, German, French, Latin, or Greek (not to
speak of eastern and primitive dialects). And many words have been all
these;--that is to say, have been Greek first, Latin next, French and
German next, and English last: undergoing a certain change of sense and
use on the lips of each nation; but retaining a deep vital meaning,
which all good scholars feel in employing them, even at this day. If
you do not know the Greek alphabet, learn it; young or old--girl or
boy--whoever you may be, if you think of reading seriously (which, of
course, implies that you have some leisure at command), learn your
Greek alphabet; then get good dictionaries of all these languages, and
whenever you are in doubt about a word, hunt it down patiently. Read
Max Mueller's lectures thoroughly, to begin with; and, after that, never
let a word escape you that looks suspicious. It is severe work; but
you will find it, even at first, interesting, and at last, endlessly
amusing. And the general gain to your character, in power and
precision, will be quite incalculable.
Mind, this does not imply knowing, or trying to know, Greek or Latin,
or French. It takes a whole life to learn any language perfectly. But
you can easily ascertain the meanings through which the English word
has passed; and those which in a good writer's work it must still bear.
20. And now, merely for example's sake, I will, with your permission,
read a few lines of a true book with you, carefully; and see what will
come out of them. I will take a book perfectly known to you all. No
English words are more familiar to us, yet few perhaps have been read
with less sincerity. I will take these few following lines of Lycidas:
"Last came, and last did go,
The pilot of the Galilean lake;
Two massy keys he bore of metals twain,
(The golden opes, the iron shuts amain),
He shook his mitred locks, and stern bespake,
'How well could I have spar'd for thee, young swain,
Enow of such as for their bellies' sake
Creep, and intrude, and climb into the fold!
Of other care they little reckoning make,
Than how to scramble at the shearers' feast,
And shove away the worthy bidden guest;
Blind mouths! that scarce themselves know how to hold
A sheep-hook, or have learn'd aught else, the least
That to the faithful herdsman's art belongs!
What recks it them? What need they? They are sped;
And when they list, their lean and flashy songs
Grate on their scrannel pipes of wretched straw;
The hungry sheep look up, and are not fed,
But, swoln with wind, and the rank mist they draw,
Rot inwardly, and foul contagion spread;
Besides what the grim wolf with privy paw
Daily devours apace, and nothing said.'"
Let us think over this passage, and examine its words.
Public-domain text, read in full here on John Shaqi.
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