Harvard Psychological Studies, Volume 1: Containing Sixteen Experimental Investigations from the Harvard Psychological Laboratory.
Science
Harvard Psychological Studies, Volume 1: Containing Sixteen Experimental Investigations from the Harvard Psychological Laboratory.
Psychology, Experimental
These can be more compactly shown by diagram than by words. Fig. 10,
_a_, _b_ and _c_ (Plate VI.), show successively slower speeds of the
rod, while all the other factors are the same. In practice the
tendency is to perceive the transition-bands as parts of the broad
faint band of the minor color, which lies between them. It can be
seen, then, how the narrow major-color bands grow only slightly wider
(Fig. 10, _a_, _b_) until they overlap (_c_); how the broad
minor-color bands grow very narrow and more intense in color, there
being always more of the major color deducted (in _b_ they are reduced
exactly to zero, _z_, _z_, _z_). In _c_ the major-color bands overlap
(_o_, _o_, _o_) to give a narrow but doubly intense major-color band
since, although with one major, two minor locus-bands are deducted.
The other bands also overlap to give complicated combinations between
the _o_-bands. These mixed bands will be, in part at least,
minor-color bands (_q_, _q_, _q_), since, although a minor locus-band
is here deducted, yet nearly two major locus-bands are also taken,
leaving the minor color to predominate. This corresponds with the
observation above, that, '... the non-overlapped part has come to be
more nearly the color of the minor sector.'
A slightly slower speed of the rod would give an irreducible confusion
of bands, since the order in which they overlap becomes very
complicated. Finally, when the rod comes to move very slowly, as in
Fig. 9, the appearance suffers no further change, except for a gradual
narrowing of all the bands, up to the moment when the rod comes to
rest.
It is clear that this last principle adduced, of the multiple
overlapping of bands when the rod is broad and moves slowly, can give
for varying speeds of the rod the greatest variety of combinations of
the bands. Among these is to be included that of no bands at all, as
will be understood from Fig. 11 (Plate VII). And in fact, a little
practice will enable the observer so to adjust the rate of the (broad)
rod to that of the disc that no bands are observable. But care must be
taken here that the eye is rigidly fixated and not attracted into
movement by the rod, since of course if the eye moves with the rod, no
bands can be seen, whatever the rate of movement may be.
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