For tactual impressions of approximately equal value soft plush, velvet, and two kinds of sandpaper were used, and for tones high and low tuning-forks. All the above-named forms were used in connection with the chosen colors. The subjects differed considerably as to the _amount_ of feeling that could be obtained from such material. The variation of kinds and of intensity in the same subject was sometimes noticeable from day to day, but not great. It is hardly necessary to give detailed quotations from each subject. The following summary of the results of the experimental work, however, contains nothing that was not frequently reported by a majority of the subjects. This, then, does not represent at all what was once or occasionally reported by individual subjects, but what after training seemed to be reliable and definite and constant feeling-states. PART I _Section A._ The following are the collected expressions which many subjects used to describe the feeling for this _particular shade of red_. It feels as if it would be soft. It suggests warmth. The feeling is one of seriousness, pleasantness, quietness, of free repose,--a full feeling of the sense of safety. It is soothing, rich, full of strength, and inviting. One feels restful, grave, calm, appeased. There is an agreeable longing and a tendency to lose one's self in the color. The feeling is one of comfort, luxury, satisfaction, expansiveness, tranquillity, and quiescence, with no accompanying feeling of weakness by exertion of effort or energy. There is neither marked tension on the one hand, nor collapse on the other. There is a sense rather of easy self-control and command of one's body, but with no aggressive sorrow nor joy element,--a feeling of being attracted, with nothing to suggest any obstacle to the adaptation. Occasionally to all subjects this color, and, indeed, all colors, seemed "dead," arousing no feeling whatever. Here the color "ought to be pleasant," but is only "for the time potentially not actually actively pleasant." Still more rarely did this red appear to be unpleasant. Some subjects thought that this afforded the greatest _amount of sensual pleasure_. More than any of the other colors they think it appears to "give you something." It does not so much stimulate as furnish a content itself. It has a direct effect rather than a tendency to make one wish to do something and thus give pleasure from the activity itself. Only one subject failed to find this color pleasant. His early association of it with blood and ghastly scenes could not be overcome. Some others, when a glare or glaze appeared on the red, found in it slight suggestions of stimulation and excitement, but the general decision in the great majority of cases was that the feeling was a sort of emotional massiveness compared with the effects from other colors.