For _plush_ there was a feeling of pleasure, ease, safety, and content. The mood was one of a general enjoyment of sinking one's self into the situation, an agreeable self-surrender. Here also is a feeling of unbending one's self, of general expansiveness, of relaxation. One is soothed, enjoys a suggestion of freedom from disturbance, of a "regularity" of the experience, feels at the same time strength in the suggested repose, responds to pleasant reverberating thrills by the falling off from the accustomed muscular tonicity, and hence has a decided feeling of satisfaction. To some subjects the feeling aroused by the hard, polished, glazed tin surface, possessing no "yielding" character, corresponded more nearly to the feeling for the yellow color than for the red. To all red "went best" with the plush. No tactual feelings offered such distinguishable elements for analysis, nor were they as definitely described as the visual or olfactory or auditory impressions. The sensational elements were in many cases more pronounced. The feeling for the plush, however, much like that for the red color, suggests a "settling down to," or a "dropping forward toward," rather than an aggressive "taking in" of the feeling-material. The feeling-tone with sensations from sandpaper is grating, irritating, stirring, stimulating. The feeling is one of contraction, of withdrawal, of uneasiness. One is full of "collapsing chills," of minute little pains, and there is a decided call for an opposite kind of behavior. The sense of weakness, of waste of power and energy, of being penetrated, of strained expectation, of unwelcome tension, and of slight "wasteful excitement" results. To some subjects, notably subject E, at times the whole feeling of stimulation as such predominated, and the total effect produced was agreeable, as it "satisfied a felt need of waking up." Here again one subject, subject B, throughout the whole period of two years, failed to find any element of pleasure in any tactual sensation that was pronounced or prolonged sufficiently to furnish material for introspection. As regards simple _tones_ from tuning-forks the subjects find little to say. All are pleasant, as a rule, and almost universally, _low tones_ are most pleasant, richer in content, greater in amount of "general appeal," more soothing, and pleasantly stimulating. The feeling of the easy attitude called for contributes to the whole feeling. _High tones_, calling for more activity on the part of the subject, more strain, and greater stimulation, coupled with some rather unprepared-for irritating elements, are less pleasant, and also more limited in their general appeal to the whole organism. The noises variously produced were at first unpleasant, and the only assignable reason seemed to be that their suddenness came as a shock. If expected or continued they too became pleasant very often.