_Section B._ Introspection here as to the physiological accompaniments referring exclusively to one of the two or more existing feeling-tones is still more meagre, but at times very definite. When the elements of a total feeling fuse there is of course no reference to the particular processes which bring this about. It is then simply a general response to a situation. _When, however, distinct, or opposing feeling-tones are present and detected, they do often mean opposing inclinations to action._ The yellow color can retain its exciting tone, and refer clearly to such activities as opening wide the eyes, incipient smiling tendencies, and general alertness of facial expression, when a soothing touch is also felt as suggesting a toning-down of the body and a general relaxation of the muscles of the abdomen. This is the most frequently noticed effect. Tactual impressions are accompanied by pervading organic feelings in the trunk, while visual and auditory stimulations, in their incipient stages, at least, have the more pronounced effect upon facial muscles of expression, and general sensations in the head. When any of these feelings are particularly strong, however, the sensations, whose feeling-tones seem to constitute the feeling in question, tend to pervade the entire system and to usurp the whole bodily activity. The motor tendencies noticed above for the irregular forms are also reported when the color itself remains pleasant. Yellow, possessing more of this activity itself, is least pleasant when exposed in these forms. The opposition of tendencies is noticed, yellow meaning its own peculiar kind of aggressive movement, and the bad form at the same time calling for that irregular kind of unpleasant adjustment. Red does not "intrude itself" nor demand action, and is always less strikingly in opposition to the form than is the case with yellow or green or blue. Forms, almost perfect, relate themselves to feelings of tension. One feels that he cannot quite take them as perfect figures, and this strain and inability to take them for what they suggest provokes a decidedly unpleasant feeling. Very irregular forms become "grotesque" or ludicrous, and the bodily change is indicated as a "jumble of partially carried out reactions."