As a general result of introspective analysis at this point, when different feeling-tones did occur together, they were described in terms similar to those used when each alone was experienced. The bodily references, when found, were of the same character, the only difference being that there was much difficulty in determining to which feeling-tone the response referred. In many instances, however, again it seemed quite certain that different kinds of adaptation in different parts of the body were suggested which seemed to correspond to distinct affective qualities. Also distinct feeling-tones, each of which alone could call forth a similar kind of action, when given together tended to accentuate the total unified response. The upright ovals mean alertness and soaring motions with a general suggestion of drawing the shoulders up. The yellow color accentuated this. The circle with the soothing red, or the fusion of feelings for red and plush, pleases in quite another fashion. PART III In attempting to measure the rate at which feeling-tones for those slight stimulations develop when no disturbing factors are consciously present, an interval of from one and one half to two and one half seconds seemed to be required. At such a time the feeling was experienced as having reached its maximum. There was no marked difference for different subjects, nor any constantly noticeable difference among the kind of stimulations used. A possible exception was found for Subject I, but this was probably due, as he himself thought, to his inability to adapt himself easily to the requirement of the experiment. After this was sufficiently tested, the interval which was required for one feeling-tone to arise when another was already present, was in the same manner tested. The interval in all cases was too long to be measured by means of a chronometer. A stop-watch was used.