Having thus concluded that the odd numbers of units in groups is
more adapted for separate enclosures, is the opposite true? In the
continuous balustrade, previously discussed, are the units of groups
made up of an even number of elements? Of the fifty-seven examples
cited of continuous railings, thirty-one have an even number of posts
in their groups. These conform to the rule: but what will explain the
twenty-six remaining? It will be noticed that _six_ of these have too
many in a group for the eye to perceive any difference between odd
and even, since they range from nine to thirteen. When so many units
are in a group, the effect is always of the run-on type, whether the
actual number turns out to be odd or even on subsequent count. _One_
has a balustrade with only two sections on a side, each side of the
centre door. Seven are in each section, and since the appearance of
a symmetrical whole is the desired effect, an odd number is more in
keeping than an even; in fact, this example, Monte Berico, might
better come under the other head of separate enclosures, although it
partakes of the character of both. Another balustrade with three in a
section (Blois Château) is so heavy and massive in all its parts that
fixity and solidity is more in keeping with it than rhythm. _Eleven_ of
them, that is, the larger proportion of all those with an odd number
of pillars in a section, support arches, and the arch is taken as the
unit instead of the separate pillar; and we find an even number of
arch-units in each section, which is what we should have expected. It
is a noticeable fact, which was previously suggested in connection
with separate enclosures, that when a row of pillars supports a plain
lintel, the _pillar_ is taken as the unit of repetition. (When the
row is on the front of a building, temple, etc., the _opening_ may be
the unit, if the _purpose_ of the central door or the fact of _going
through_ is in the mind: but when the series stands for itself, the
_pillar_ is the unit.) When pillars support arches, the _arch_ is the
unit, unless it is very narrow as in the Moorish style, when the pillar
is often so high and the arch so narrow in comparison that its value is
weakened.
Of the thirty-one balustrades with an even number of parts in a
section, four sets of pillars bear arches, and make an odd number of
them. This would seem to make an exception to the rule were they not
so narrow in two cases that the pillar was still the unit, and in the
other two the motif of the arch was built around the intervening piers,
so that they did not seem divided into sections at all, but continuous.
Public-domain text, read in full here on John Shaqi.
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