Duke Street, built circa 1675,[236] was named from the last Duke of
Buckingham. Humphrey Wanley, the great Harleian librarian, lived here, and
the son of Shadwell, the poet and Dryden’s enemy, who was an eminent
physician, and inherited much of his father’s excellent sense.
In 1672 the “chemyst, statesman, and buffoon” Duke of Buckingham sold York
House and gardens for £30,000 to a brewer and woodmonger, who pulled it
down and laid out the present streets, naming them, with due respect to
rank and wealth, even in a rascal, George Street, Villiers Street, Duke
Street, and Buckingham Street. In 1668 their rental was £1359: 10s.[237]
In Charles II.’s time waterworks were started at York Buildings by a
company chartered to supply the West end with water, but they failed,
being in advance of the time. The company, however, did not concentrate
its energies on waterworks; it gave concerts, bought up forfeited estates
in Scotland, and started many wild and eccentric projects, in some of
which Steele figured prominently. The company has long been forgotten,
though kept in memory by a tall water tower, which was standing in the
reign of George III.
In Buckingham Street, built in 1675, Samuel Pepys, the diarist, came to
live in 1684. The house, since rebuilt, was the last on the west side, and
looked on the Thames. It had been his friend Hewer’s before him. A view of
the library shows us the tall plain book-cases, and a central window
looking on the river. Pepys, the son of an army tailor, and as fond of
dress and great people as might be expected of a tailor’s son, was for a
long time Secretary of the Admiralty under Charles II. He was President of
the Royal Society; and it is largely to his five folio books of ballads
that we owe Dr. Percy’s useful compilation, _The Relics of Ancient
Poetry_. Pepys died in 1703, at the house of his friend Hewer, at Clapham.
Pepys’s house (No. 14) became afterwards, in the summer of 1824, the home
of Etty, the painter, and remained so till within a few months of his
death in 1849. Etty first took the ground floor (afterwards occupied by
Mr. Stanfield), then the top floor; the special object of his ambition
being to watch sunsets over the river, which he loved as much as Turner
did, who frequently said, “There is finer scenery on its banks than on
those of any river in Italy.” Its ebb and flow, Etty used to declare, was
like life, and “the view from Lambeth to the Abbey not unlike Venice.” In
those river-side rooms the artists of two generations have
assembled--Fuseli, Flaxman, Holland, Constable, and Hilton--then Turner,
Maclise, Dyce, Herbert, and all the younger race. Etty’s rooms looked on
to a terrace, with a small cottage at one end; the keeper once was a man
named Hewson, supposed to be the original Strap of _Roderick Random_.[238]
An amiable, dreamy genius was the son of the miller and gingerbread-maker
of York.
The witty Earl of Dorset lived in this street in 1681.
Public-domain text, read in full here on John Shaqi.
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