Poor Hollar, the great German engraver, lived in 1661 just outside the
back door of St. Clement’s, “as soon as you come off the steps, and out of
that house and dore at your left hand, two payre of stairs, into a little
passage right before you.” He was known for “reasons’ sake” to the people
of the house only as “the Frenchman limner.” Such was the direction he
sent to that gossiping Wiltshire gentleman, John Aubrey.
The inn has very probably reared up a great many clever men; but it is
chiefly renowned for having fostered that inimitable old bragging twaddler
and country magistrate, the immortal Justice Shallow. Those chimes that
“in a ghostly way by moonlight still bungle through Handel’s psalm tunes,
hoarse with age and long vigils”[286] as they are, must surely be the same
that Shallow heard. How deliciously the old fellow vapours about his wild
times!
“Ha, Cousin Silence, that thou hadst seen that that this knight and I have
seen!--Ha, Sir John, said I well?”
_Falstaff_--“We have heard the chimes at midnight, Master Shallow.”
_Shal._--“That we have, that we have, that we have; in faith, Sir John, we
have; our watchword was--Hem, boys!--Come, let’s to dinner; come, let’s to
dinner. Oh, the days that we have seen!--Come, come.”[287]
And before that, how he glories in the impossibility of being detected
after bragging fifty-five years! This man, as Falstaff says, “lean as a
man cut after supper out of a cheese-paring,” was once mad Shallow, lusty
Shallow, as Cousin Silence, his toady, reminds him.
“By the mass,” says again the old country gentleman, “I was called
anything, and I would have done anything, indeed, and roundly too. There
was I and little John Doit of Staffordshire, and black George Barnes of
Staffordshire, and Francis Pickbone, and Will Squele, a Cotswold man: you
had not four such swinge-bucklers in all the inns of court again.”
And thus he goes maundering on with dull vivacity about how he played Sir
Dagonet in Arthur’s Show at Mile End, and once remained all night
revelling in a windmill in St. George’s Fields.
Public-domain text, read in full here on John Shaqi.
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