A Beef-steak Society was founded in 1735 by John Rich, the great
harlequin, and manager of Covent Garden Theatre, and George Lambert, the
scene-painter.[320] Lambert, being much visited by authors, wits, and
noblemen, whilst painting, and being too hurried to go to a tavern, used
to have a steak cooked in the room, inviting his guests to share his snug
and savoury but hurried meal. The fun of these accidental and impromptu
dinners led to a club being started, which afterwards moved to a more
convenient room in the theatre. After many years the place of meeting was
changed to the Shakspere Tavern, where Mr. Lambert’s portrait, painted by
Hudson, Reynolds’s pompous master, was one of the decorations of the
club-room.[321] They then returned to the theatre, but being burned out in
1812, adjourned to the Bedford. Lambert was the merriest of fellows, yet
without buffoonery or coarseness. His manners were most engaging, he was
social with his equals, and perfectly easy with richer men.[322] He was
also a great leader of fun at old Slaughter’s artist-club.
The club throve down to about 1869, when it was dissolved; steaks were
perennial as a dish, whatever the wit may have been, to the last.
Twenty-four noblemen and gentlemen, each of whom might bring a friend,
partook of a five o’clock dinner of steaks in a room of their own behind
the scenes at the Lyceum Theatre every Saturday from November till June.
They called themselves “The Steaks,” disclaimed the name of “Club,” and
dedicated their hours to “Beef and Liberty,” as their ancestors did in the
anti-Walpole days.[323]
Their room was a little typical Escurial. The doors, wainscot, and floor,
were of stout oak, emblazoned with gridirons, like a chapel of St.
Laurence. The cook was seen at his office through the bars of a vast
gridiron, and the original gridiron of the society (the survivor of two
terrific fires) held a conspicuous position in the centre of the ceiling.
This club descended lineally from Wilkes’s and from Lambert’s. To the end
there was Attic salt enough to sprinkle over “the Steaks,” and to justify
the old epicure’s lines to the club:--
“He that of honour, wit, and mirth partakes,
May be a fit companion o’er beef-steaks;
His name may be to future times enrolled
In Estcourt’s book, whose gridiron’s framed of gold.”[324]
Its gridiron and other treasures were sold by auction, and fetched
fabulous prices.
Public-domain text, read in full here on John Shaqi.
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