John Reeve was another of the Adelphi celebrities. He was born in 1799, and was originally a clerk at a Fleet Street banking-house. He appeared first at Drury Lane in 1819 as Sylvester Daggerwood. His imitations were pronounced perfect, and he soon rose to great celebrity in broad farce, burlesque, and the comic parts of melodrama. Lord Grizzle, Bombastes, and Pedrillo, were favourite early characters of his. He was considered too heavy for Caleb Quotem, and not quiet enough for Paul Pry. Liston excelled him in the one, and Harley in the other. Benjamin Webster was born at Bath in 1800. He took the management of the Haymarket in 1837, and built the New Adelphi Theatre in 1858. In melodrama Mr. Webster excels. His best parts are--Lavater, Tartuffe, Belphegor, Triplet, and Pierre Leroux in “The Poor Stroller.” He is excellent in poor authors and strolling players, and achieved a great triumph in Mr. Watts Philips’s play of “The Dead Heart.” He is energetic and forcible, but he has a bad hoarse voice, and he protracts and details his part so elaborately as often to become tedious. In 1844 Madame Celeste, who in 1837 had appeared at Drury Lane on her return from America, was directress of the Adelphi. She then left and took the Lyceum, which she held until the close of 1860-1. The old Adelphi closed in June 1858. Although a small and incommodious house, it had long earned a special fame of its own. It began its career with “True Blue Scott,” and went on with Rodwell and Jones during the “Tom and Jerry” mania, when young men about town wrenched off knockers, knocked down old men who were paid to apprehend thieves, and attended beggars’ suppers. Under Terry and Yates, Buckstone and Fitzball produced pieces in which T. P. Cooke, O. Smith, Wilkinson, and Tyrone Power shone (this actor was drowned in 1841). There also flourished Wright, Paul Bedford, Mrs. Yates, and Mrs. Keeley, in “The Pilot,” “The Flying Dutchman,” “The Wreck Ashore,” “Victorine,” “Rory O’More,” and “Jack Sheppard,”[342]--the last of these a play to be branded as a demoralising apotheosis of a clever thief. In 1844 Mr. Webster became proprietor of the Adelphi, and Madame Celeste, a good melodramatic actress, became the directress. Then was brought out that crowning triumph of the theatre, “The Green Bushes,” by Mr. Buckstone--a tremendous success. Among the greatest “hits” at the Adelphi have been of later years Mr. Watts Philips’s “Dead Heart,” a powerful melodrama of the French Revolution period, Miss Bateman’s “Leah,” an American-German play of the old school, and “The Colleen Bawn,” Mr. Boucicault’s clever dramatic version of poor Gerald Griffin’s novel, full of fine melodramatic situations.