The next play Lamb went to was “The Lady of the Manor,” followed by a
pantomime called “Lunn’s Ghost.” Rich was not long dead. His third play
was “The Way of the World” and “Robinson Crusoe.” Six or seven years after
he went (with what changed feelings!) to see Mrs. Siddons in Isabella.
“Comparison and retrospection,” he says, “soon yielded to the present
attraction of the scene, and the theatre became to me, upon a new stock,
the most delightful of all recreations.”[588]
Handsome Jack Bannister, who played in youth with Garrick, and in later
years with Edmund Kean, was the model for the Uncle Toby in Leslie’s
picture. Natural, honest, as Hamlet, he was also good as Walter in “The
Children of the Wood.” Inimitable “in depicting heartiness,” says Dr.
Doran, “ludicrous distress, grave or affected indifference, honest
bravery, insurmountable cowardice, a spirited young or an enfeebled yet
impatient old fellow, mischievous boyishness, good-humoured vulgarity,
there was no one of his time who could equal him.”[589] Bannister left the
stage with a handsome fortune. Hazlitt says finely of him that his
“gaiety, good-humour, cordial feeling, and natural spirits shone through
his characters and lighted them up like a transparency.”[590] His kind
heart and honest face were as well known as his good-humoured smile and
buoyant activity. “Jack,” says Lamb, “was beloved for his sweet,
good-natured moral pretensions.” He gave us “a downright concretion of a
Wapping sailor, a jolly warm-hearted Jack Tar.”
Public-domain text, read in full here on John Shaqi.
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