Lord Campbell, who gives a very pleasant sketch of Chief Justice Kenyon,
with his bad temper and bad Latin, his hatred of newspaper writers and
gamblers, and his wrath against pettifoggers, describes his being taken in
by Horne Tooke, and laughs at his ignorantly-mixed metaphors. He seems to
have been a respectable second-rate lawyer, conscientious and upright. “He
occupied,” says Lord Campbell, “a large gloomy house, in which I have seen
merry doings when it was afterwards transferred to the Verulam Club.” The
tradition of this house was that “it was always Lent in the kitchen and
Passion Week in the parlour.” On some one mentioning the spits in Lord
Kenyon’s kitchen, Jekyll said, “It is irrelevant to talk about the spits,
for nothing _turns_ upon them.” The judge’s ignorance was profound. It is
reported that in a trial for blasphemy the Chief Justice, after citing the
names of several remarkable early Christians, said, “Above all, gentlemen,
need I name to you the Emperor Julian, who was so celebrated for the
practice of every Christian virtue that he was called Julian the
Apostle?”[738] On another occasion, talking of a false witness, he is
supposed to have said, “The allegation is as far from truth as ‘old
Boterium from the northern main’--a line I have heard or met with, God
knows where.”[739]
Lord Erskine lived at No. 36, in 1805, the year before he rose at once to
the peerage and the woolsack, and presided at Lord Melville’s trial. He
did not hold the seals many months, and died in 1823. This great Whig
orator was the youngest son of the Earl of Buchan. He was a midshipman and
an ensign before he became a student at Lincoln’s Inn. He began to be
known in 1778; in 1781 he defended Lord George Gordon, in 1794 Horne
Tooke, Hardy, Thelwall, and afterwards Tom Paine.
The house that contains the Soane Museum, No. 13 on the north side, was
built in 1812, and, consisting of twenty-four small apartments crammed
with curiosities, is in itself a marvel of fantastic ingenuity. Every inch
of space is turned to account. On one side of the picture-room are
cabinets, and on the other movable shutters or screens, on which pictures
are also hung; so that a small area, only thirteen feet long and twelve
broad, contains as much as a gallery forty-five feet long and twenty feet
broad. A Roman altar once stood in the outer court.
Public-domain text, read in full here on John Shaqi.
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