Murdoch said nothing. He could think of nothing to say. He was never
very ready of speech. He bowed with an uncertain air, and almost
immediately wandered off to the other end of the room, holding his lily
in his hand. He began to turn over the pages of a book of engravings,
seeing none of them. After a little while a peculiar perfume close to
him attracted his attention, and he looked downward vacantly and saw the
lily. Then he laid it down and moved farther away.
Afterward--he did not know how long afterward--Ffrench came in. He
seemed in a very feverish state of mind, talking a great deal and rather
inanely, and forcing Murdoch to reply and join in the conversation.
M. Saint Meran held himself with a graceful air of security and
self-poise, and made gentle efforts at scientific remark which should
also have an interest for genius of a mechanical and inventive turn. But
Murdoch's replies were vague. His glance followed Rachel Ffrench. He
devoured her with his eyes--a violence which she bore very well. At
last--he had not been in the house an hour--he left his chair and went
to her.
"I am going away," he said in an undertone. "Good-night!"
She did not seem to hear him. She was speaking to Saint Meran.
"Good night!" he repeated, in the same tone, not raising it at all, only
giving it an intense, concentrated sound.
She turned her face toward him.
"Good-night!" she answered.
[Illustration: SHE TURNED HER FACE TOWARD HIM. "GOOD-NIGHT," SHE
ANSWERED.]
And he went away, Ffrench following him to the door with erratic and
profuse regrets, which he did not hear at all.
When he got outside, he struck out across the country. The strength with
which he held himself in check was a wonder to him. It seemed as if he
was not thinking at all--that he did not allow himself to think. He
walked fast, it might even be said, violently; the exertion made his
head throb and his blood rush through his veins. He walked until at last
his heart beat so suffocatingly that he was forced to stop. He threw
himself down--almost fell down upon the grass at the wayside and lay
with shut eyes. He was giddy and exhausted, and panted for breath. He
could not have thought then, if he would; he had gained so much at
least. He did not leave the place for an hour. When he did so, it was to
walk home by another route, slowly, almost weakly. This route led him by
the Briarley cottage, and, as he neared it, he was seized with a fancy
for going in. The door was ajar and a light burned in the living-room,
and this drew him toward it.
Public-domain text, read in full here on John Shaqi.
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