There came an evening, when on entering the drawing-room of a county
potentate with whom she and her father were to dine, Rachel Ffrench
found herself looking directly at Haworth, who stood in the center of a
group of guests. They were talking to him with an air of great interest
and listening to his off-hand replies with actual respect. Suddenly the
tide had turned. Before the evening had passed the man was a lion, and
all the more a lion because he had been so long tabooed. He went in to
dinner with the lady patroness, and she afterward announced her
intention of calling upon his mother in state.
"There is a rough candor about the man, my dear," she said, "which one
must respect, and it appears that he has really reformed."
There was no difficulty after this. Mrs. Haworth had visitors every day,
who came and examined her and wondered, and, somehow, were never
displeased by her tender credulity. She admired them all and believed in
them, and was always ready with tears and relief for their pensioners
and charities.
"Don't thank me, ma'am," she would say. "Don't never thank me, for it's
not me that deserves it, but him that's so ready and generous to every
one that suffers. There never was such a kind heart before, it seems to
me, ma'am, nor such a lovin' one."
Haworth's wealth, his success, his open-handedness, his past sins, were
the chief topics of conversation. To speak of Broxton was to speak of
the man who had made it what it was by his daring and his power, and who
was an absolute ruler over it and its inhabitants.
Ffrench was a triumphant man. He was a potentate also; he could ride his
hobby to the sound of applause. When he expatiated upon "processes," he
could gain an audience which was attentive and appreciative. He had not
failed this time, at least, and was put down as a shrewd fellow after
all.
In the festivities which seemed, somehow, the result of this sudden
revulsion of feeling, Rachel Ffrench was naturally a marked figure.
Among the women, with whom she was not exactly a favorite, it was still
conceded that she was not a young woman whom it was easy to ignore. Her
beauty--of which it was impossible to say that she was conscious--was of
a type not to be rivaled. When she entered a room, glancing neither to
right nor left, those who had seen her before unavoidably looked again,
and those who had not were silent as she passed. There was a delicate
suggestion of indifference in her manner, which might be real or might
not. Her demeanor toward Haworth never altered, even to the extent of
the finest shadow of change.
Public-domain text, read in full here on John Shaqi.
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