Hawthorne, Nathaniel, 1804-1864 -- Friends and associates; Novelists, American -- 19th century -- Biography
Besides the monumental and artistic features of Rome, the human side
of it appealed to me. There was something congenial in the Romans, and,
indeed, in the Italians generally, so that I seemed to be renewing my
acquaintance with people whom I had partly forgotten. I picked up the
conversational language with unusual ease, perhaps owing to the drilling
in Latin which my father had given me; and I liked the easy, objectless
ways of the people, and the smiles which so readily took the place of
the sallow gravity which their faces wore in repose. But it was the
Transteverini women who chiefly attracted me; they wore an antique
costume familiar enough in paintings, and they claimed to be descendants
of the ancient race; they had the noble features and bearing which one
would have looked for in such descendants, at all events. Looking in
their dark, haughty eyes, one seemed to pass back through the terrible
picturesqueness of mediaeval Italy, with its Borgias and Bella Donnas,
its Lorenzos and Fornarinas, to the Rome of Nero, Augustus, Scipio, and
Tarquin. Eddy and I would sometimes make excursions across the river to
Transtevere, and stroll up and down those narrow streets, imagining
all manner of suitable adventures and histories for the inhabitants,
stalking there in their black and scarlet and yellow habiliments,
and glancing imperially from under the black brows of their dark
countenances. One afternoon during the carnival I was in a dense crowd
in the piazza, towards the lower end of the Corso, and found myself
pushed into the neighborhood of a singularly beautiful young woman of
this class, dressed in the height of her fashion, who was slowly making
her way in my direction through the press. All at once a man, smartly
clad in the garb of recent civilization, stepped in front of her and
said something to her; what it was I knew not. She drew herself back,
as from something poisonous or revolting, and the expression of her face
became terrible. At the same time her right hand went swiftly to the
masses of her sable hair, and as swiftly back again, armed with the
small, narrow dagger which these women wear by way of hair-pin. Before
the unhappy creature who had accosted her knew what was happening,
she thrust the dagger, with a powerful movement--while her white teeth
showed, set edge to edge, through her drawn lips--deep into his body.
As he collapsed forward she drew the weapon upward, putting the whole
strength of her body into the effort, and actually ripped the man open.
Down he fell at her feet. There was a score or more of Roman citizens
within arm's-reach of her at the moment; no one spoke, still less
attempted to restrain her. On the contrary, as she turned they
respectfully opened a way for her through the midst of them, and none
made an offer to assist the dying wretch who lay writhing and faintly
coughing on the cobble-stone pavement of the piazza. I was soon elbowed
quietly away from the spot where he lay; I caught a glimpse of the
Public-domain text, read in full here on John Shaqi.
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