Hawthorne, Nathaniel, 1804-1864 -- Friends and associates; Novelists, American -- 19th century -- Biography
think, of seven ancient Etruscan scorabei in carnelian, every one of
which has been taken from a separate tomb, and on one side of each was
engraved the signet of the person to whom it had belonged and who
had carried it to the grave with him. This bracelet would make a good
connecting link for a series of Etruscan tales, the more fantastic the
better!"
On the first day of October, 1859, we left Florence by railway for Siena
on our way back to Rome. There had been no drawbacks to our enjoyment of
the city and of our villa and of the people we had met. We departed with
regret; had we stayed on there, instead, and not again attempted the
fatal air of the Seven Hills, our after chronicles might have been
very different. But we walk over precipices with our eyes open, or pass
safely along their verge in the dark, and only the Power who made us
knows why. Providence takes very long views.
XIX
Burnt Sienna--The Aquila Nera--A grand, noble, gentle
creature--The most beautiful woman in the world--Better
friends than ever--A shadow brooded--Boys are whole-souled
creatures--Franklin Pierce--Miriam, Hilda, Kenyon,
Donatello--The historian of the Netherlands--When New
England makes a man--The spell of Trevi--An accession of
mishaps--My father's mustache--Three steps of stone, the
fourth, death--Havre, Redcar, Bath, London, Liverpool.
Siena is distant from Florence, in a direct line, not more than fifty
miles, but the railway turns the western flank of the mountains, and
kept us full three hours on the trip. I had long been familiar with a
paint in my color-box called Burnt Sienna, and was now much interested
to learn that it was made of the yellow clay on which the city of Siena
stands; and when I discovered for myself that this clay, having formed
the bed of some antediluvian ocean, was full of fossil shells, I
thought that Siena was a place where I would do well to spend one of my
lifetimes. The odd, parti-colored architecture of the town did not
so much appeal to me, and certainly the streets and squares were less
attractive in themselves than either the Roman or the Florentine ones.
The shells were personally ugly, but they were shells, and fossils into
the bargain, and they sufficed for my happiness.
Public-domain text, read in full here on John Shaqi.
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