Our villa, within, was close and comfortable enough, for its era and degree; but the furniture was ponderous and ugly to the point of nightmare. The chairs, tables, and sofas wore the semblance of solid mahogany, twisted and tortured in a futile struggle to achieve elegance; the carvings, or mouldings, were screwed or glued on, and the lines of structure, intended to charm the eye, accomplished only the discomfort of the body. The dining-table was like a plateau; the sideboard resembled a cliff-dwelling. The carpets were of the Brussels ilk: acanthus-leaves and roses and dahlias wreathed in inextricable convolutions, glowing with the brightest and most uncompromising hues. The lace curtains were imitation lace; the damask curtains were imitation damask. The bedsteads.... But this is not a History of England. After all, we were snug and comfortable. On the walls were portraits of the family whose house this was; by name, Campbell; the house-painter, or wood-grainer, one would suppose, had a leaning towards this branch of art. I never saw the originals of these portraits, but, upon the assumption that they had been faithfully interpreted by the artist, I used to think, in my childish folly, that the refrain of the old song, "The Campbells are Coming," was meant as a phrase or threat to frighten people. Who would not have run upon such an announcement? As I have already made one confession in these pages not reflecting credit upon myself, I may as well make another now. Just thirty years after the events I am describing, somebody wrote to me from Rock Park, stating that the local inhabitants were desirous of putting up on the house which Hawthorne had occupied there a marble or bronze slab, recording the fact for the benefit of pilgrims. The committee, however, did not know which of three or four houses was the right one, and the writer enclosed photographs of them all, and requested me to put a cross over our former habitation. Now, all the houses in Rock Park had been turned out of the same mould, and I knew no more than my interrogator which was which. But I reflected that the committee had been put to trouble and expense for photographs, postage-stamps, and what not, and that all that was really wanted was something to be sentimental over. So, rather than disappoint them, I resorted to a kind of sortes Virgillana; I shut my eyes, turned round thrice, and made a mark at hazard on the line of photographs. The chances against my having hit it right were only four to one; the committee were satisfied, the pilgrims have been made happy, and it is difficult to see where harm has been done. Nevertheless, the matter has weighed somewhat on my conscience ever since, and I am glad to have thus lightened myself of it. What would one better do in such circumstances? Is history written in this way?