"Round he surveys (and well might, where he stood So high above the circling canopy Of night's extended shade) from th' eastern point Of Libra to the fleecy star that bears Andromeda far off Atlantic seas Beyond the horizon: then from pole to pole He views in breadth, and without longer pause Down right into the world's first region throws His flight precipitant, and winds with ease Through the pure marble air his oblique way Amongst innumerable stars that shone Stars distant, but nigh hand seem'd other worlds; Or other worlds they seem'd or happy isles," etc. The verse, in this exquisitely modulated passage, floats up and down as if it had itself wings. Milton has himself given us the theory of his versification-- "Such as the meeting soul may pierce In notes with many a winding bout Of linked sweetness long drawn out." Dr. Johnson and Pope would have converted his vaulting Pegasus into a rocking-horse. Read any other blank verse but Milton's,--Thomson's, Young's, Cowper's, Wordsworth's,--and it will be found, from the want of the same insight into "the hidden soul of harmony," to be mere lumbering prose. To proceed to a consideration of the merits of Paradise Lost, in the most essential point of view, I mean as to the poetry of character and passion. I shall say nothing of the fable, or of other technical objections or excellences; but I shall try to explain at once the foundation of the interest belonging to the poem. I am ready to give up the dialogues in Heaven, where, as Pope justly observes, "God the Father turns a school-divine;" nor do I consider the battle of the angels as the climax of sublimity, or the most successful effort of Milton's pen. In a word, the interest of the poem arises from the daring ambition and fierce passions of Satan, and from the account of the paradisaical happiness, and the loss of it by our first parents. Three-fourths of the work are taken up with these characters, and nearly all that relates to them is unmixed sublimity and beauty. The two first books alone are like too massy pillars of solid gold.