Hazlitt on English Literature: An Introduction to the Appreciation of LiteratureHazlitt, William
History
Hazlitt on English Literature: An Introduction to the Appreciation of Literature
Hazlitt, William
English literature -- History and criticism
In their first false step we trace all our future woe, with loss of Eden.
But there was a short and precious interval between, like the first blush
of morning before the day is overcast with tempest, the dawn of the world,
the birth of nature from "the unapparent deep," with its first dews and
freshness on its cheek, breathing odours. Theirs was the first delicious
taste of life, and on them depended all that was to come of it. In them
hung trembling all our hopes and fears. They were as yet alone in the
world, in the eye of nature, wondering at their new being, full of
enjoyment and enraptured with one another, with the voice of their Maker
walking in the garden, and ministering angels attendant on their steps,
winged messengers from heaven like rosy clouds descending in their sight.
Nature played around them her virgin fancies wild; and spread for them a
repast where no crude surfeit reigned. Was there nothing in this scene,
which God and nature alone witnessed, to interest a modern critic? What
need was there of action, where the heart was full of bliss and innocence
without it! They had nothing to do but feel their own happiness, and "know
to know no more." "They toiled not, neither did they spin; yet Solomon in
all his glory was not arrayed like one of these." All things seem to
acquire fresh sweetness, and to be clothed with fresh beauty in their
sight. They tasted as it were for themselves and us, of all that there
ever was pure in human bliss. "In them the burthen of the mystery, the
heavy and the weary weight of all this unintelligible world, is
lightened." They stood awhile perfect, but they afterwards fell, and were
driven out of Paradise, tasting the first fruits of bitterness as they had
done of bliss. But their pangs were such as a pure spirit might feel at
the sight--their tears "such as angels weep." The pathos is of that mild
contemplative kind which arises from regret for the loss of unspeakable
happiness, and resignation to inevitable fate. There is none of the
fierceness of intemperate passion, none of the agony of mind and
turbulence of action, which is the result of the habitual struggles of the
will with circumstances, irritated by repeated disappointment, and
constantly setting its desires most eagerly on that which there is an
impossibility of attaining. This would have destroyed the beauty of the
whole picture. They had received their unlooked-for happiness as a free
gift from their Creator's hands, and they submitted to its loss, not
without sorrow, but without impious and stubborn repining.
Public-domain text, read in full here on John Shaqi.
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