Hazlitt on English Literature: An Introduction to the Appreciation of LiteratureHazlitt, William
History
Hazlitt on English Literature: An Introduction to the Appreciation of Literature
Hazlitt, William
English literature -- History and criticism
aspirations; he clothes the naked with beauty and grandeur from the stores
of his own recollections. No cypress grove loads his verse with funeral
pomp: but his imagination lends "a sense of joy
"To the bare trees and mountains bare,
And grass in the green field."
No storm, no shipwreck startles us by its horrors: but the rainbow lifts
its head in the cloud, and the breeze sighs through the withered fern. No
sad vicissitude of fate, no overwhelming catastrophe in nature deforms his
page: but the dewdrop glitters on the bending flower, the tear collects in
the glistening eye.
"Beneath the hills, along the flowery vales,
The generations are prepared; the pangs,
The internal pangs are ready; the dread strife
Of poor humanity's afflicted will,
Struggling in vain with ruthless destiny."
As the lark ascends from its low bed on fluttering wing, and salutes the
morning skies; so Mr. Wordsworth's unpretending Muse, in russet guise,
scales the summits of reflection, while it makes the round earth its
footstool, and its home!
Possibly a good deal of this may be regarded as the effect of disappointed
views and an inverted ambition. Prevented by native pride and indolence
from climbing the ascent of learning or greatness, taught by political
opinions to say to the vain pomp and glory of the world, "I hate ye,"
seeing the path of classical and artificial poetry blocked up by the
cumbrous ornaments of style and turgid _common-places_, so that nothing
more could be achieved in that direction but by the most ridiculous
bombast or the tamest servility; he has turned back partly from the bias
of his mind, partly perhaps from a judicious policy--has struck into the
sequestered vale of humble life, sought out the Muse among sheep-cotes and
hamlets and the peasant's mountain-haunts, has discarded all the tinsel
pageantry of verse, and endeavoured (not in vain) to aggrandise the
trivial and add the charm of novelty to the familiar. No one has shown the
same imagination in raising trifles into importance: no one has displayed
the same pathos in treating of the simplest feelings of the heart.
Reserved, yet haughty, having no unruly or violent passions, (or those
passions having been early suppressed,) Mr. Wordsworth has passed his life
in solitary musing, or in daily converse with the face of nature. He
exemplifies in an eminent degree the power of _association_; for his
poetry has no other source or character. He has dwelt among pastoral
scenes, till each object has become connected with a thousand feelings, a
link in the chain of thought, a fibre of his own heart. Every one is by
habit and familiarity strongly attached to the place of his birth, or to
objects that recall the most pleasing and eventful circumstances of his
life. But to the author of the _Lyrical Ballads_, nature is a kind of
home; and he may be said to take a personal interest in the universe.
There is no image so insignificant that it has not in some mood or other
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