Hazlitt on English Literature: An Introduction to the Appreciation of LiteratureHazlitt, William
History
Hazlitt on English Literature: An Introduction to the Appreciation of Literature
Hazlitt, William
English literature -- History and criticism
The poetry of the Bible is that of imagination and of faith: it is
abstract and disembodied: it is not the poetry of form, but of power; not
of multitude, but of immensity, it does not divide into many, but
aggrandizes into one. Its ideas of nature are like its ideas of God. It is
not the poetry of social life, but of solitude: each man seems alone in
the world with the original forms of nature, the rocks, the earth, and the
sky. It is not the poetry of action or heroic enterprise, but of faith in
a supreme Providence, and resignation to the power that governs the
universe. As the idea of God was removed farther from humanity, and a
scattered polytheism, it became more profound and intense as it became
more universal, for the Infinite is present to every thing: "If we fly
into the uttermost parts of the earth, it is there also; if we turn to the
east or the west, we cannot escape from it." Man is thus aggrandised in
the image of his Maker. The history of the patriarchs is of this kind;
they are founders of the chosen race of people, the inheritors of the
earth; they exist in the generations which are to come after them. Their
poetry, like their religious creed, is vast, unformed, obscure, and
infinite; a vision is upon it--an invisible hand is suspended over it. The
spirit of the Christian religion consists in the glory hereafter to be
revealed; but in the Hebrew dispensation, Providence took an immediate
share in the affairs of this life. Jacob's dream arose out of this
intimate communion between heaven and earth: it was this that let down, in
the sight of the youthful patriarch, a golden ladder from the sky to the
earth, with angels ascending and descending upon it, and shed a light upon
the lonely place, which can never pass away. The story of Ruth, again, is
as if all the depth of natural affection in the human race was involved in
her breast. There are descriptions in the book of Job more prodigal of
imagery, more intense in passion, than anything in Homer, as that of the
state of his prosperity, and of the vision that came upon him by night.
The metaphors in the Old Testament are more boldly figurative. Things were
collected more into masses, and gave a greater _momentum_ to the
imagination.
Public-domain text, read in full here on John Shaqi.
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