Hazlitt on English Literature: An Introduction to the Appreciation of LiteratureHazlitt, William
History
Hazlitt on English Literature: An Introduction to the Appreciation of Literature
Hazlitt, William
English literature -- History and criticism
told me his private opinion, that Coleridge was a wonderful man. He
scarcely opened his lips, much less offered an opinion the whole way: yet
of the three, had I to chuse during that journey, I would be John Chester.
He afterwards followed Coleridge into Germany, where the Kantean
philosophers were puzzled how to bring him under any of their categories.
When he sat down at table with his idol, John's felicity was complete; Sir
Walter Scott's or Mr. Blackwood's, when they sat down at the same table
with the King, was not more so. We passed Dunster on our right, a small
town between the brow of a hill and the sea. I remember eyeing it
wistfully as it lay below us: contrasted with the woody scene around, it
looked as clear, as pure, as _embrowned_ and ideal as any landscape I have
seen since, of Gaspar Poussin's or Domenichino's. We had a long day's
march--(our feet kept time to the echoes of Coleridge's tongue)--through
Minehead and by the Blue Anchor, and on to Linton, which we did not reach
till near midnight, and where we had some difficulty in making a lodgment.
We however knocked the people of the house up at last, and we were repaid
for our apprehensions and fatigue by some excellent rashers of fried bacon
and eggs. The view in coming along had been splendid. We walked for miles
and miles on dark brown heaths overlooking the channel, with the Welsh
hills beyond, and at times descended into little sheltered valleys close
by the sea-side, with a smuggler's face scowling by us, and then had to
ascend conical hills with a path winding up through a coppice to a barren
top, like a monk's shaven crown, from one of which I pointed out to
Coleridge's notice the bare masts of a vessel on the very edge of the
horizon and within the red-orbed disk of the setting sun, like his own
spectre-ship in the _Ancient Mariner_. At Linton the character of the
sea-coast becomes more marked and rugged. There is a place called the
_Valley of Rocks_ (I suspect this was only the poetical name for it)
bedded among precipices overhanging the sea, with rocky caverns beneath,
into which the waves dash, and where the sea-gull for ever wheels its
screaming flight. On the tops of these are huge stones thrown transverse,
as if an earthquake had tossed them there, and behind these is a fretwork
of perpendicular rocks, something like the _Giant's Causeway_. A
thunderstorm came on while we were at the inn, and Coleridge was running
out bareheaded to enjoy the commotion of the elements in the _Valley of
Rocks_, but as if in spite, the clouds only muttered a few angry sounds,
and let fall a few refreshing drops. Coleridge told me that he and
Wordsworth were to have made this place the scene of a prose-tale, which
was to have been in the manner of, but far superior to, the _Death of
Abel_, but they had relinquished the design. In the morning of the second
day, we breakfasted luxuriously in an old-fashioned parlour, on tea,
Public-domain text, read in full here on John Shaqi.
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