Hazlitt on English Literature: An Introduction to the Appreciation of LiteratureHazlitt, William
History
Hazlitt on English Literature: An Introduction to the Appreciation of Literature
Hazlitt, William
English literature -- History and criticism
Mitre-court, he stopped me to observe, that "he thought Mr. C---- a very
clever man, with a great command of language, but that he feared he did
not always affix very precise ideas to the words he used." After he was
gone, we had our laugh out, and went on with the argument on the nature of
Reason, the Imagination, and the Will. I wish I could find a publisher for
it: it would make a supplement to the _Biographia Literaria_ in a volume
and a half octavo.
Those days are over! An event, the name of which I wish never to mention,
broke up our party, like a bombshell thrown into the room: and now we
seldom meet----
"Like angels' visits, short and far between."
There is no longer the same set of persons, nor of associations. L----
does not live where he did. By shifting his abode, his notions seem less
fixed. He does not wear his old snuff-coloured coat and breeches. It
looks like an alteration in his style. An author and a wit should have a
separate costume, a particular cloth: he should present something positive
and singular to the mind, like Mr. Douce of the Museum. Our faith in the
religion of letters will not bear to be taken to pieces, and put together
again by caprice or accident. L. H---- goes there sometimes. He has a fine
vinous spirit about him, and tropical blood in his veins: but he is better
at his own table. He has a great flow of pleasantry and delightful animal
spirits: but his hits do not tell like L----'s; you cannot repeat them the
next day. He requires not only to be appreciated, but to have a select
circle of admirers and devotees, to feel himself quite at home. He sits at
the head of a party with great gaiety and grace; has an elegant manner and
turn of features; is never at a loss--_aliquando sufflaminandus erat_--has
continual sportive sallies of wit or fancy; tells a story capitally;
mimics an actor, or an acquaintance to admiration; laughs with great glee
and good-humour at his own or other people's jokes; understands the point
of an equivoque, or an observation immediately; has a taste and knowledge
of books, of music, of medals; manages an argument adroitly; is genteel
and gallant, and has a set of bye-phrases and quaint allusions always at
hand to produce a laugh:--if he has a fault, it is that he does not listen
so well as he speaks, is impatient of interruption, and is fond of being
looked up to, without considering by whom. I believe, however, he has
pretty well seen the folly of this. Neither is his ready display of
personal accomplishment and variety of resources an advantage to his
writings. They sometimes present a desultory and slipshod appearance,
owing to this very circumstance. The same things that tell, perhaps, best,
to a private circle round the fireside, are not always intelligible to the
public, nor does he take pains to make them so. He is too confident and
secure of his audience. That which may be entertaining enough with the
Public-domain text, read in full here on John Shaqi.
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