Hazlitt on English Literature: An Introduction to the Appreciation of LiteratureHazlitt, William
History
Hazlitt on English Literature: An Introduction to the Appreciation of Literature
Hazlitt, William
English literature -- History and criticism
"There is only one other person I can ever think of after this," continued
H----; but without mentioning a name that once put on a semblance of
mortality. "If Shakspeare was to come into the room, we should all rise up
to meet him; but if that person was to come into it, we should all fall
down and try to kiss the hem of his garment!"
As a lady present seemed now to get uneasy at the turn the conversation
had taken, we rose up to go. The morning broke with that dim, dubious
light by which Giotto, Cimabue, and Ghirlandaio must have seen to paint
their earliest works; and we parted to meet again and renew similar
topics at night, the next night, and the night after that, till that night
overspread Europe which saw no dawn. The same event, in truth, broke up
our little Congress that broke up the great one. But that was to meet
again: our deliberations have never been resumed.
XX
ON READING OLD BOOKS
I hate to read new books. There are twenty or thirty volumes that I have
read over and over again, and these are the only ones that I have any
desire ever to read at all. It was a long time before I could bring myself
to sit down to the Tales of My Landlord, but now that author's works have
made a considerable addition to my scanty library. I am told that some of
Lady Morgan's are good, and have been recommended to look into Anastasius;
but I have not yet ventured upon that task. A lady, the other day, could
not refrain from expressing her surprise to a friend, who said he had been
reading Delphine:--she asked,--If it had not been published some time
back? Women judge of books as they do of fashions or complexions, which
are admired only "in their newest gloss." That is not my way. I am not one
of those who trouble the circulating libraries much, or pester the
booksellers for mail-coach copies of standard periodical publications. I
cannot say that I am greatly addicted to black-letter, but I profess
myself well versed in the marble bindings of Andrew Millar, in the middle
of the last century; nor does my taste revolt at Thurloe's State Papers,
in Russia leather; or an ample impression of Sir William Temple's Essays,
with a portrait after Sir Godfrey Kneller in front. I do not think
altogether the worse of a book for having survived the author a generation
or two. I have more confidence in the dead than the living. Contemporary
writers may generally be divided into two classes--one's friends or one's
foes. Of the first we are compelled to think too well, and of the last we
are disposed to think too ill, to receive much genuine pleasure from the
perusal, or to judge fairly of the merits of either. One candidate for
literary fame, who happens to be of our acquaintance, writes finely, and
like a man of genius; but unfortunately has a foolish face, which spoils a
delicate passage:--another inspires us with the highest respect for his
personal talents and character, but does not quite come up to our
expectations in print.
Public-domain text, read in full here on John Shaqi.
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