Hazlitt on English Literature: An Introduction to the Appreciation of LiteratureHazlitt, William
History
Hazlitt on English Literature: An Introduction to the Appreciation of Literature
Hazlitt, William
English literature -- History and criticism
My father Shandy solaced himself with Bruscambille. Give me for this
purpose a volume of Peregrine Pickle or Tom Jones. Open either of them
anywhere--at the Memoirs of Lady Vane, or the adventures at the masquerade
with Lady Bellaston, or the disputes between Thwackum and Square, or the
escape of Molly Seagrim, or the incident of Sophia and her muff, or the
edifying prolixity of her aunt's lecture--and there I find the same
delightful, busy, bustling scene as ever, and feel myself the same as when
I was first introduced into the midst of it. Nay, sometimes the sight of
an odd volume of these good old English authors on a stall, or the name
lettered on the back among others on the shelves of a library, answers the
purpose, revives the whole train of ideas, and sets "the puppets
dallying." Twenty years are struck off the list, and I am a child again.
A sage philosopher, who was not a very wise man, said, that he should like
very well to be young again, if he could take his experience along with
him. This ingenious person did not seem to be aware, by the gravity of his
remark, that the great advantage of being young is to be without this
weight of experience, which he would fain place upon the shoulders of
youth, and which never comes too late with years. Oh! what a privilege to
be able to let this hump, like Christian's burthen, drop from off one's
back, and transport one's-self, by the help of a little musty duodecimo,
to the time when "ignorance was bliss," and when we first got a peep at
the raree-show of the world, through the glass of fiction--gazing at
mankind, as we do at wild beasts in a menagerie, through the bars of their
cages,--or at curiosities in a museum, that we must not touch! For myself,
not only are the old ideas of the contents of the work brought back to my
mind in all their vividness, but the old associations of the faces and
persons of those I then knew, as they were in their lifetime--the place
where I sat to read the volume, the day when I got it, the feeling of the
air, the fields, the sky--return, and all my early impressions with them.
This is better to me--those places, those times, those persons, and those
feelings that come across me as I retrace the story and devour the page,
are to me better far than the wet sheets of the last new novel from the
Ballantyne press, to say nothing of the Minerva press in
Leadenhall-street. It is like visiting the scenes of early youth. I think
of the time "when I was in my father's house, and my path ran down with
butter and honey,"--when I was a little, thoughtless child, and had no
other wish or care but to con my daily task, and be happy!--Tom Jones, I
remember, was the first work that broke the spell. It came down in numbers
once a fortnight, in Cooke's pocket-edition, embellished with cuts. I had
hitherto read only in school-books, and a tiresome ecclesiastical history
(with the exception of Mrs. Radcliffe's Romance of the Forest): but this
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account