There was Billy on the track, struggling to free herself from the rail
which held one small foot. Around the bend came the huge engine with
its headlight already lit for the wild night run.
The next two minutes were ever after a blank to the Watermelon. He was
in the cut, beside the white-faced, struggling girl almost
simultaneously with seeing her. As he shot down the bank, he felt for
and drew his knife. The engineer had seen them and the engine screamed a
warning, while the emergency brakes shrieked as they slipped, grinding
on the rails. On his knees, with one slash, the Watermelon cut the
lacings which, becoming knotted, had held her prisoner, then with one
and the same move, he had regained his feet and forced her flat against
the bank, as the train whirled by in a cloud of dust and cinders, brakes
grinding, wheels slipping, whistle screaming, a white-faced engineer
leaning horrified from the cab window.
Trembling violently, Billy clung sobbing to the Watermelon, her face
hidden in his breast. The Watermelon crushed her to him as if he would
never let her go, his arms tightening with the agony of remembrance. He
was trembling as much as she from the horror of that terrible moment.
His head rested on her hair and he talked, poured out his love in a rush
of misery and thankfulness. Words tumbled over themselves and were
repeated again and again, in phrases hot from his lips came all his
pent-up longing for the girl.
"Sweetheart, sweetheart," he whispered with white lips as Billy still
sobbed. "Darling, hush. Dear heart, my love, my Billy."
After a time her sobs stopped and she raised her face. The Watermelon
bent his head and they kissed frankly with the simplicity of perfect
understanding, perfect love. For a moment they clung together, still,
then Billy was the first to rally.
"We’ve got to go," said she, her hands raised to her tumbled hair as she
tried her best to laugh.
The Watermelon caught her hands and forced them down, drinking her in
with hungry eyes. Then he bent his head and buried his face for a
moment in the backs of her small hands, while something like a sob shook
his shoulders.
"Jerry," whispered the girl, a woman now, tender, compassionate,
gracious.
The Watermelon dropped her hands and turned abruptly. "I’m a damn
fool," he muttered and picked up the bundle, still beside the track.
"Why did you come?" she asked, all solicitude for him. "You might have
been killed."
The Watermelon did not answer. He stalked across the track to the other
foot-path and Billy perforce had to follow.
Public-domain text, read in full here on John Shaqi.
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