Then came the war, to be followed by Bolshevism. The experience of Russia in the last two years, however, is not unique in the history of nations. The narration of the spoliation of the rich, the confiscation of the estates and the profligate waste of the national substance is only a repetition, almost verse for verse and line for line, of the license and the abuses of the last years of the Athenian democracy. It was then demonstrated that the impoverishing of the rich could not enrich the poor, and that a state without wealth will soon be a state without liberty. In the idiom of the gallery gods, it is all "old stuff." The Charmides of Xenophon's "Banquet" celebrates the pleasures and profits of poverty. He once possessed a fortune that made him fear thieves and sycophants--in reality the same thing--Athens had levied heavy taxes on the rich and had passed laws making it a capital offense for a person of wealth to attempt to flee the state. The money raised by thus taxing the wealthy was distributed to the poor in the public places. Any one holding a certificate showing that he had not sufficient wealth to be taxed was admitted free to the theaters and was entitled to one meal a day at restaurants supported by the state. The people's council, fearful that there might be a disposition to stop this waste of public money, passed acts which decreed capital punishment to any orator who should propose to modify the laws which made "poverty a blessing." Charmides recounts that he once lived in a state of perpetual terror. New taxes were decreed every day, each of which he was compelled to pay. He was deprived of the liberty even of leaving the state. His lot was worse than that of the meanest slave. Behold! a fertile imagination came to his rescue. He embarked in a speculation in which failure was inevitable. Good fortune attended him. Within a brief time he was penniless and happy. The unfortunate speculator who had gained possession of the wealth of Charmides lived for a brief time in the agony of wealth; then he attempted to flee the state, was apprehended and executed. Charmides makes votive offerings to the gods of Athens for his escape from the terror and servitude of property. "How comfortably I sleep!" he cries. "The republic has confidence in me. I am no longer threatened. It is I who threaten others. A free man, I can go or stay. I appear at the theater. I am admitted free. The rich rise in trembling and offer me the best seats. When I walk abroad in the streets they stand aside to offer me an unobstructed passage. To-day I resemble a tyrant. Then I was a slave. Then I paid tribute to the state. Now the state, my tributary, supports me. I lose nothing; for I have nothing."