It seems to me that nothing in the whole problem of life is more
important than a thorough realization of this undoubted truth--that the
big fundamental feelings of man's better nature are absolutely
independent and apart from the working of his intellect, or any
calculation of self-interest, conscious or implied, just as they are
independent of his material appetites and instincts. A clear
understanding of this truth will answer many of the questions which are
so apt to confuse the reason and trouble the peace of mind of the
average much instructed person.
If a scientific doubter asks us how we can be sure of this, we can
answer without hesitation that the evidence of our own inner feelings is
unmistakable proof of it. The only proof of a feeling is the feeling
itself. We have it--we are conscious of it--it is, as far as we are
concerned, and it is futile for any outsider to deny it.
If any one is so constituted that he cannot get the force of this, we
may make the understanding of it easier by turning his attention to the
feelings of man's esthetic nature, which operate in a somewhat similar
way. We have already had occasion to refer to them, but we may be
permitted to do so again, with added emphasis. They are an illustration
and a confirmation of the vitally important principle which we have just
been stating.
If a setting sun, or a harmony, or musical notes, appeal to my sense of
beauty and give rise to a vague but delicious emotion of my inner
nature, all the arguments of all the intellects on earth are powerless
to alter the essence and meaning of that feeling, so far as my nature is
concerned. To me that feeling of beauty is a fact, and it would remain
just as much a fact, even if no other person in the world shared it with
me; and every other person in the world undertook to deny its existence.
The only proof I have of it, the only proof I need for it, is that I
feel it.
Now when the intellect takes upon itself to meddle with such things, a
learned professor may explain that a certain musical note is composed of
vibrations--so many thousand per second--which are communicated to
particles of matter in suspension in the air and carried by them to the
tympanum of the ear, which acts thus-and-so upon the various components
of the hearing apparatus, and finally arrives through a system of
ganglia to a certain nerve centre, located somewhere in a brain cell, or
the spinal column. He may use a great many other big words and display
various kinds of scientific devices for measuring sound waves and
calculating vibrations, but when he has finished, all his science will
not enable him to compose a touching melody, or feel the beauty and
inspiration of it. A little child, or a negro mammy, with a soul for
music, will feel and give out something, whose very essence has nothing
to do with the intellect and which the most formidable intellect is
powerless to grasp.
Public-domain text, read in full here on John Shaqi.
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