Art -- Europe; Europe -- Description and travel; Europe -- History
With the wars of religion this peace and prosperity came to an end and
for two hundred years all the duchy was devastated by all the armies of
Europe, from those of Francis I to the obscene hordes of the French
Republic. It had never revolted against the Catholic religion nor
against its varied rulers, and its reward was a slow and savage
extermination. Cities were burned and their names forgotten; great
abbeys and churches like those of Orval and Clairefontaine were utterly
extinguished; tall castles that crowned every height of land were blown
up with gunpowder; fields and farms became waste land; and through
starvation, massacre, and exile the population was reduced to a tithe of
its former numbers, and at last, by the republic that came to bring
liberty, taxed into an all-engulfing penury.
The era of enlightenment had not been wholly happy in its action on
Luxembourg, but it was free at last, and, in 1867, independent, as it
remained until that memorable day in August, 1914, the day of broken
treaties, when the little Grand Duchess backed her motor-car across the
bridge, closing it with a pathetic barrier in the vain protest of honour
against a force that did not recognise the meaning of the word or the
existence of the thing it signified.
Luxembourg to-day is not a place where one may go to revel in the
artistic memorials of a great past; the great past is there, and its
memory is still green, but even more than Brabant or Champagne has it
borne the grievous harrowing of endless wars and recrudescent
barbarisms, not the least destructive of these visitations being the
nineteenth century in its satisfying completeness, which saw many an
abbey and old haunted castle dismantled, reduced to road-metal, and
carted away for the value inherent in its raw material, or turned to
inconceivably base uses from all of which some pecuniary profit might be
obtained. Once it was as rich in enormous castles as any country in the
world that happily has a mediæval past. Bourscheid on its great hill,
lordly and dominating still and a wilderness of vast crags of masonry,
in spite of all that man could do; Brandenbourg, rigid and riven in its
ring of mountains; Esch, split into towering and sundered fragments on
the raw cliffs overhanging the Sûre; Hollenfel, Clervaux, spared by war
to fall victim to the contemptuous neglect of owners who preferred
pseudo-Gothic villas with all modern conveniences; Beaufort, with its
noble proportions and its beauty of a later and more gracious
mediævalism; Vianden, most fascinating of all with its dizzy gables, and
its chapel still intact in spite of the wide ruin of its surroundings.
And every castle ruin is haunted to heart’s desire, crowded with
attested ghosts whose consistent habits and dependable visitations are a
peculiar joy in a world that until a twelvemonth ago could not believe
in the impossible and promptly discounted the improbable. Any peasant in
Public-domain text, read in full here on John Shaqi.
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