Art -- Europe; Europe -- Description and travel; Europe -- History
Inevitably, when one thinks of Malines, Louvain, Ypres, Arras, Soissons,
Reims, there comes the suggestion of possible restorations, concretely
expressed already by German savants and archæologists incapable of
comprehending the difference between art and imitation, and as some
palliation for the evils that have been done. It is a thought that must
resolutely be put aside. As I said in speaking of Reims, if enough
remains to be made habitable by simple patching and protection, let this
be done by all means, but without a foot of false carving or glass or
sculpture. Build other churches if you like, and as you must, and
perhaps on the old general lines, though elsewhere, but let us have no
more a Pierrefond or a Mt. St. Michael. What is gone is gone
irrevocably, and its shells and shards are too valuable in their eternal
teaching to be obliterated by well-meant schemes of rehabilitation.
When a whole town passes, as Ypres and Louvain and Arras, then as it
fell so let it lie. A kindly nature will slowly turn these bleak piles
of fallen masonry into beautiful memorials, clothing them with grass and
vines and flowers and trees. Let them stand so for ever, a memorial to
the dead and a warning to man in his pride of life and insolence of
will; and for the new cities, let them rise as beautifully as may be
alongside, but not over, the graves of a dead era. Glastonbury and
Jumièges, in their solemn and noble ruin, tell their story to ears that
at last are disposed to listen, and the story of Reims and Louvain, with
the same moral at its end, must be told eternally after the same
fashion.
X
MARGARET OF MALINES
The historians always call her Marguerite of Austria, but this is hardly
fair, for even if she were a daughter of the Hapsburg Emperor Maximilian
she did not come into her own until she took up her residence in a
beautiful castle in Malines and made that own the fortune and the
destinies and the happiness of the Flemish people who had been given
her. On both her father’s side and her mother’s she was English, if you
go back far enough, her great, great, great-grandfather having been that
“John of Gaunt (Ghent), time-honoured Lancaster” of whom we have heard
before. Her mother, Mary of Burgundy, who died when she was a baby,
traced her line back through Charles the Bold and Isabella of Bourbon to
John of Gaunt’s daughter, Philippa, who married John I of Portugal; and
it is through Philippa’s son Eduard and his daughter Eleanor who married
Maximilian’s father, the Emperor Frederick III, that the strain comes on
the father’s side. So “Margaret of Malines” let her be; and as well the
well-beloved Regent of Flanders, for never, even in the great days of
great kings and governors, was there ever a better sovereign or a more
engaging lady.
Public-domain text, read in full here on John Shaqi.
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