Art -- Europe; Europe -- Description and travel; Europe -- History
edification, in the midst of the worst of the incessant tempests, her
proposed epitaph which ran:
“Ci-gist Margot, la gentile demoiselle
Qu’eut deux maris, et ci mourut pucelle.”
The epitaph was not needed, and Margaret reached Spain at last, where
she was received with wild joy, at once becoming the idol of all who met
her, from Queen Isabella down. The prince was of the same temper as
herself, handsome, noble in character, learned, proficient in all the
arts, and they were married the moment Lent was over, in the midst of a
kind of frenzy of general joy and magnificence. This was on Easter
Sunday, April 10, 1497; on October 4 the fairy prince was dead of the
plague, dying as he had lived his brief life of nineteen years, a gentle
and perfect knight, destroying the golden dreams of his people, breaking
the heart of the Queen, and leaving Margaret, heartbroken also, to
await the birth of her child, who was born only to die after a single
breath. The life of the girl-widow was despaired of, but she finally
recovered, and in spite of the prayers of the sorrowing Queen and court,
who had acquired a passionate affection for her, returned to Flanders,
where her brother Philip, through a sequence of deaths in the royal
family of Spain, had suddenly found his wife the heir to the vast and
powerful kingdom. Margaret arrived in 1499 and two years later, again
for political reasons (her spirited father now being interested in the
conquest of Italy), was married to Duke Philibert of Savoy, Philibert le
Beau, a figure of splendour, courage, learning, and beneficence; devoted
to his people, to governmental and industrial reform, to the founding of
schools, hospitals, monasteries. One looks aghast on the mortality of
young and promising leaders at this particular time. They arise like
splendid stars, they embody all the beneficent quality of the five
centuries of mediævalism that already had come to an end; they have no
kinship with the new type of the Renaissance then first showing
itself--with a Henry VIII, a Francis I, a Philip II, an Alexander
VI--and one by one they are blotted out of the darkening heavens. Born
out of due time, after the ending of an epoch of righteousness and
beauty, they seem to be taken away from a world they could not save and
that could only have been for them a misery and a disappointment, as it
was for Margaret’s baby nephew, Charles, who was destined to inherit the
world in its chaotic desolation only to surrender it at last and seek
refuge in the cloister.
Public-domain text, read in full here on John Shaqi.
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