Heart of Oak: A Three-Stranded Yarn, vol. 2.Russell, William Clark
General
Heart of Oak: A Three-Stranded Yarn, vol. 2.
Russell, William Clark
English fiction -- 19th century; Sea stories
Sir Mortimer Otway was at this time at Paris on a visit to some
friends. I had heard from him two days before, and understood that he
would return on the fourth or fifth. His health was not good. Of late
he had become very anxious about his daughter. He thought it was time,
after six months, that he should receive news of her, or that the 'Lady
Emma' should be reported. This being so, I resolved not to write, but
to wait until his return, when I would tell him of the wreck of the
ship, if, indeed, the account of it did not reach him through other
hands, or the newspapers in Paris.
For my own part I was so shocked, so stunned, there was something so
terrible to my imagination in the character of this wreck, in every
circumstance of it, having regard to the loneliness of the three, the
wild and stormy breast of waters where the hull had been left plunging
helpless by her crew, that I could not hold up my head. I could not
speak. I sat in a sort of stupor. My father reasoned with me; he
pointed out that the hull was afloat, a stout, seaworthy vessel when
the crew left her; that being dismasted she was less likely to beat
against the ice than were she moving through the water under sail; that
a vessel had been seen and pursued by the crew; that where one was
there must be others; and so on, and so on.
I heard him and that was all.
I cannot tell how great was my love for Marie. I felt that I had acted
as a wretch, betrayed the darling of my heart to her destruction,
in sanctioning her father's scheme of sending her away alone--and
she must be alone if she was without me--on a long voyage in a
comparatively small sailing ship. The fancy of her in that rolling,
dismasted hull was a dreadful oppression to my imagination and worked
in me like madness itself. I had seen the ship, and so the figure of
her as she tumbled dismasted amidst the heavy seas far south of Cape
Horn was easy to paint. To think of my Marie, that delicate, fragile,
timid girl, imprisoned in such a hulk, enduring hours and perhaps days
of anguish in poignant suspense and heartbreaking expectation of death,
all alone as she was, countless leagues away from me, from her father,
with no other companion than her old nurse, who, let her devotion be
what it might, must surely fail her at such a time.
My mind felt crazed. I could not lift my head nor speak.
END OF THE SECOND VOLUME
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[Illustration: Decoration]
Public-domain text, read in full here on John Shaqi.
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